It is obvious that director Milorad Krstic likes to pay extra attention to details, loves animating the underside of cars, locomotives, and motorcycles, and has a weird penchant for absurdity for his Ruben Brandt, Collector would not have been a mixture of all these things and some more. Narrating the ingenious story of a loner psychotherapist who involuntarily hires a group of four criminals to steal popular paintings from around the world so that he can finally stop having those ugly nightmares that ARE about those paintings, director Krstic starts his animated drama with bang, bang, and nothing but bang. It starts at something and frequently digresses to a frame or a character that has absolutely no relation to the main plot, and that is exactly how the film pulls you in. With beautiful, beautiful things to look at and pop culture references about everything from Radiohead's "Creep" to Francis Ford Coppola's gangster epic The Godfather (1972) to Edward Hopper's 1942 painting Nighthawks, Rubern Brandt, Collector is a whirlpool of random events, dark comedy, and quotable general moments that you will find yourself so immersed in that you will stop having issues with how the characters look. Absurd, abnormal, and abominable - it is from these three elements that director Krstic churns out this epic adventure of a film, which, despite its overlong and ridiculous story arcs, makes for a great watch, at least from a perspective where it improves your pop culture knowledge by some great extent. It is nothing like you have seen in the animation or non-animation territory before. But don't take your kids along. TN.
(Watched and reviewed at its India premiere at the 20th MAMI Mumbai Film Festival.)
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