Running on Empty
First of all, what a great performance by River Phoenix. In fact, there are smart, convincing, warm performances by all the main cast. At first you might feel this is a movie about a couple on the lam for a long-ago crime, and that they happened to have two kids. But really the opening of the movie, an inside view from Phoenix's character's situation, makes clear that he is the start, and the fulcrum, around which the rest of the characters swing. So the movie ends up being an interpersonal drama, and you sympathize with everyone, even if they have done a "bad" thing. This is open to your judgement, for sure...a 1960s radical sentiment on the part of the left leaning director, Syndey Lumet, who had the early uber-classic "12 Angry Men" as well as "Serpico" and many others. It was Lumet who drew me to the film, but it was Phoenix who stole the show (and who breaks your heart knowing how young he committed suicide). Look for the kind of classic filming and editing you'd expect from this well-schooled director. It's a warm film, and it avoids pretentiousness and artifice, turning instead to the innate abilities of the actors, including a young Marth Plimpton. Plimpton is wonderful, and she is given some classic lines, funny and perceptive just as you'd expect this kind of girl to be. (Plimpton was in another movie with Phoenix, "The Mosquito Coast," two years earlier.) So watch this, for sure. It was nominated for a ton of awards, and overcomes what seems to be a contrived, tightly focussed impossibility of a plot and makes it work. Very well!
First of all, what a great performance by River Phoenix. In fact, there are smart, convincing, warm performances by all the main cast. At first you might feel this is a movie about a couple on the lam for a long-ago crime, and that they happened to have two kids. But really the opening of the movie, an inside view from Phoenix's character's situation, makes clear that he is the start, and the fulcrum, around which the rest of the characters swing. So the movie ends up being an interpersonal drama, and you sympathize with everyone, even if they have done a "bad" thing. This is open to your judgement, for sure...a 1960s radical sentiment on the part of the left leaning director, Syndey Lumet, who had the early uber-classic "12 Angry Men" as well as "Serpico" and many others. It was Lumet who drew me to the film, but it was Phoenix who stole the show (and who breaks your heart knowing how young he committed suicide). Look for the kind of classic filming and editing you'd expect from this well-schooled director. It's a warm film, and it avoids pretentiousness and artifice, turning instead to the innate abilities of the actors, including a young Marth Plimpton. Plimpton is wonderful, and she is given some classic lines, funny and perceptive just as you'd expect this kind of girl to be. (Plimpton was in another movie with Phoenix, "The Mosquito Coast," two years earlier.) So watch this, for sure. It was nominated for a ton of awards, and overcomes what seems to be a contrived, tightly focussed impossibility of a plot and makes it work. Very well!