Keep Your Eye on the Card, Keep Your Eye on the Card...
11 June 2004
Warning: Spoilers
Intense Cold War era masterpiece that seems to grow bolder and more intelligent with age. A group of U.S. soldiers are captured one night during the Korean War in 1952. Next thing the group remembers is arriving home with Laurence Harvey (one of the troops) being given the Medal of Honor for some unknown reason. He immediately decides to go to New York City to get away from his over-protective mother (Oscar nominee Angela Lansbury) and her senator husband (a solid turn by character actor James Gregory). But nothing is quite what it seems. Harvey, obviously with no experience in journalism, becomes involved with a publication that is sympathetic with Communist propaganda. Meanwhile several other soldiers from Harvey's battalion (commanding officer Frank Sinatra in particular) start to have disturbing dreams where the group is in a room during a dull women's meeting where the main topic of discussion is botany. Flashes occur however where the women actually become Korean and Russian delegates that are all listening to a crazed doctor (Khigh Dhiegh) who is discussing brainwashing techniques and total mind manipulation through various kinds of hypnosis. The dreams are rough and frightening. It seems that Sinatra has a rare form of war fatigue, but there is no way to explain how others are having similar night-time delusions. As he tries to cope he falls in love with the beautiful Janet Leigh and they start to have a relationship. Eventually Sinatra begins to put the jagged pieces together just as Harvey becomes serious with a beautiful young woman (Leslie Parrish) whose father (John McGiver) happens to be one of Gregory's main obstacles to a possible vice presidential nomination in the next national election. Who is really controlling everything from the inside and what is Harvey's main purpose for being brainwashed? Richard Condon's paranoid novel comes to life vividly in a truly outstanding motion picture. Screenwriter George Axelrod's adaptation keeps the momentum of the book at a fevered pitch throughout. Director John Frankenheimer (only 32 at the time) completed the one film that he would always be remembered for. His career honestly had a lot more lows than highs, but his full potential as a first-class film-maker is easy to recognize here. The performances are top-notch with Lansbury (actually only three years older than Harvey) doing the best work of her career (albeit in a somewhat small role). Laurence Harvey's tortured character is also a sight to behold. It is an immensely interesting role that keeps the whole production glued together. Harvey, an actor I really never thought had much talent, proves that when everything else is working well that he can be a reputable performer. And of course Sinatra is solid as he always was throughout a film career that hit its peak from about 1950 through 1965. Once again he adds a certain depth and an amazing complexity to an already rich role. Smart, stylish, at times nasty and always impressive, "The Manchurian Candidate" is one of those pictures that continues to be a fixture in the American cinema as time goes by. 5 stars out of 5.
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