Um grupo de arqueólogos procura um artefacto místico nas catacumbas de Paris. Mas aquele local, revelará um segredo que vai mexer com a mente de todos, fazendo os demónios pessoais de cada u... Ler tudoUm grupo de arqueólogos procura um artefacto místico nas catacumbas de Paris. Mas aquele local, revelará um segredo que vai mexer com a mente de todos, fazendo os demónios pessoais de cada um voltarem para os assombrar.Um grupo de arqueólogos procura um artefacto místico nas catacumbas de Paris. Mas aquele local, revelará um segredo que vai mexer com a mente de todos, fazendo os demónios pessoais de cada um voltarem para os assombrar.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
Hamid Djavadan
- Reza
- (as Hamidreza Javdan)
Emy Lévy
- Tour Guide
- (as Emy Levy)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThis was the first ever production that secured permission from the French government to film in the Paris catacombs, both in the public and in the off-limits area. They got permission the night before shooting began. The air and water quality in the catacombs were tested before shooting to make sure the cast and crew would not walk through battery acid. The only entrance to one of the catacombs' main locations was through the parking lot of an hospital. There was very little use of props. The film utilizes a set of narrow, winding tunnels of the Paris catacombs, complete with real mint skeletons creepily arranged centuries ago. There was no electricity, no bathrooms or cell phone service in the tunnels. Sometimes the cast and crew had water up to their waists, and some days they had to crawl around on all fours for an hour. Several scenes were lit up by the actors themselves with their head lamps. Director John Erick Dowdle said that the actors were shooting the film 90% of the time.
- Erros de gravaçãoThe poem on Flamel's stone shouldn't rhyme in English.
- Cenas durante ou pós-créditosOn the last seconds of the end credits, you can hear a character saying "The only way out is down", followed by some of the noises heard on the catacombs earlier in the film.
- ConexõesFeatured in FoundFlix: As Above So Below (2014) Ending Explained + Analysis (2017)
- Trilhas sonorasSur La Planche 2013
Written by Sacha Got and Marlon Magnée
Performed by La Femme
Courtesy of Musique En Societe S.A.R.L.
By arrangement with Hyperion Music Services
Avaliação em destaque
First of all, there aren't a ton of good Horrors out there that are truly original. I'm not saying this movie is one of them, but that lack of originality shouldn't be the reason to give any movie a lower score. Bringing fresh ideas to the Horror genre is difficult, mostly because it's difficult to find new ways to scare people. There aren't a ton of moments that make you jump, but I think the genre isn't really about making people jump anymore. Audiences have gotten good at predicting when these moments happen.
Where this movie does well, along with the rest of my favorite horror movies, is atmosphere. For me, having a dark, creepy atmosphere is far more important to success in this genre than getting people to leap out of their seats. The shaky-cam, found-footage style isn't that much of an issue for me either. Actually, I think still does a good job portraying realism, despite being a bit disorienting and annoying.
Story-wise, I'd say it's pretty unique. How many other horrors involving descent into the earth to find historical relics can you think of off the top of your head? One, two maybe... How many horrors can you think of off the top of your head involving a haunted house, a possessed child or doll, exorcism, a guy with a mask, or a cabin in the woods? 100? Not to say this is bad, but I'll gladly welcome anything outside traditional horror settings and scenarios. It does dip into the realm of ridiculousness as some points, but nothing too over-the-top and far-fetched for the situation. The acting is good and the characters are believable for the most part. I would have cleaned up the final act a little bit more, but it was good enough to keep me satisfied.
Not sure what the critics are bashing it for. If there is anything to really complain about it's not this movie, but the genre itself. That being said, lower your expectations and you might like it. I'd give it a solid 7 out of 10.
Where this movie does well, along with the rest of my favorite horror movies, is atmosphere. For me, having a dark, creepy atmosphere is far more important to success in this genre than getting people to leap out of their seats. The shaky-cam, found-footage style isn't that much of an issue for me either. Actually, I think still does a good job portraying realism, despite being a bit disorienting and annoying.
Story-wise, I'd say it's pretty unique. How many other horrors involving descent into the earth to find historical relics can you think of off the top of your head? One, two maybe... How many horrors can you think of off the top of your head involving a haunted house, a possessed child or doll, exorcism, a guy with a mask, or a cabin in the woods? 100? Not to say this is bad, but I'll gladly welcome anything outside traditional horror settings and scenarios. It does dip into the realm of ridiculousness as some points, but nothing too over-the-top and far-fetched for the situation. The acting is good and the characters are believable for the most part. I would have cleaned up the final act a little bit more, but it was good enough to keep me satisfied.
Not sure what the critics are bashing it for. If there is anything to really complain about it's not this movie, but the genre itself. That being said, lower your expectations and you might like it. I'd give it a solid 7 out of 10.
- spiral_nemesis
- 30 de ago. de 2014
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Así en la Tierra como en el infierno
- Locações de filme
- Catacombes of Paris, Paris, França(Whole set)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 21.321.100
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.632.820
- 31 de ago. de 2014
- Faturamento bruto mundial
- US$ 41.898.409
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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