A poderosa advogada Marley enfrenta seu caso mais pessoal até o momento, quando tem a tarefa de descobrir a verdade por trás do assassinato do marido de sua melhor amiga Fela.A poderosa advogada Marley enfrenta seu caso mais pessoal até o momento, quando tem a tarefa de descobrir a verdade por trás do assassinato do marido de sua melhor amiga Fela.A poderosa advogada Marley enfrenta seu caso mais pessoal até o momento, quando tem a tarefa de descobrir a verdade por trás do assassinato do marido de sua melhor amiga Fela.
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Interesting Amazon original movie.
It is a modest police thriller, in some ways also with a fairly predictable ending, which however has the greatest merit of addressing, in a fairly clear and understandable way, also some socially burning and politically always very current issues, namely the training techniques of police officers, the superficial and approximate way of closing certain legal cases through plea bargaining, the domestic violence and, above all, the racism.
Aesthetically, the work is very good, filmed in 4K, it is practically free from criticism.
In my humble opinion, it is worth seeing, provided that one has a certain indulgence towards certain glaring interpretative errors (even on the part of the protagonists, unfortunately). It is certainly not a boring movie, even if, as already mentioned, it lacks originality.
It is a modest police thriller, in some ways also with a fairly predictable ending, which however has the greatest merit of addressing, in a fairly clear and understandable way, also some socially burning and politically always very current issues, namely the training techniques of police officers, the superficial and approximate way of closing certain legal cases through plea bargaining, the domestic violence and, above all, the racism.
Aesthetically, the work is very good, filmed in 4K, it is practically free from criticism.
In my humble opinion, it is worth seeing, provided that one has a certain indulgence towards certain glaring interpretative errors (even on the part of the protagonists, unfortunately). It is certainly not a boring movie, even if, as already mentioned, it lacks originality.
This is a misfire on nearly every front. It trivializes serious issues like police shootings for shallow plot twists, offering no real insight. The storyline is convoluted and implausible, with poorly developed characters acting without logic. The direction feels lazy, the dialogue is clunky, and recycled scenes (like the boat climax from Acrimony) add to the déjà vu. Visually, it looks like outdated TV. Instead of evolving, Perry leans on tired tropes and shock value.
I honestly don't know why people bother with the same regurgitated style of movies he produces. It's now packed with more agenda than before.
He's made his money from the gullible black church community and should move on! Don't watch it but hey, everyone to their own.
I honestly don't know why people bother with the same regurgitated style of movies he produces. It's now packed with more agenda than before.
He's made his money from the gullible black church community and should move on! Don't watch it but hey, everyone to their own.
I recently watched Tyler Perry's new movie "Duplicity," and I'd like to share my thoughts without giving away any plot details for those who haven't seen it yet. From the outset, the film's direction is fairly predictable, adhering to a familiar formula seen in many of Perry's previous works. As such, there isn't much suspense, and it's easy to foresee how the story unfolds.
While the cast comprises talented actors, the film ultimately falls short for me. Many of the issues presented are glossed over, lacking the necessary buildup and depth. I believe the movie would have benefited from more background information and character development, allowing viewers to connect more deeply with the characters.
The ending offers some action, but it's limited to the last 20 minutes of the nearly two-hour runtime. This leaves the rest of the movie feeling drawn out, with many moments where more development could have enriched the story. Unfortunately, this seems to be a case where Tyler Perry missed the mark.
The film had the potential to be great, but its lack of character development and predictability hindered its impact. One central theme, the issue of police shootings of unarmed Black men and the societal response to such events, deserved more attention and exploration. This aspect, in particular, could have been a powerful focal point.
I admire Tyler Perry as a director, but I feel that both he and his team often miss opportunities to delve deeper into important themes and character arcs. There are numerous elements in his films that could take center stage but remain underdeveloped. As a result, "Duplicity" didn't quite resonate with me as much as I had hoped.
While the cast comprises talented actors, the film ultimately falls short for me. Many of the issues presented are glossed over, lacking the necessary buildup and depth. I believe the movie would have benefited from more background information and character development, allowing viewers to connect more deeply with the characters.
The ending offers some action, but it's limited to the last 20 minutes of the nearly two-hour runtime. This leaves the rest of the movie feeling drawn out, with many moments where more development could have enriched the story. Unfortunately, this seems to be a case where Tyler Perry missed the mark.
The film had the potential to be great, but its lack of character development and predictability hindered its impact. One central theme, the issue of police shootings of unarmed Black men and the societal response to such events, deserved more attention and exploration. This aspect, in particular, could have been a powerful focal point.
I admire Tyler Perry as a director, but I feel that both he and his team often miss opportunities to delve deeper into important themes and character arcs. There are numerous elements in his films that could take center stage but remain underdeveloped. As a result, "Duplicity" didn't quite resonate with me as much as I had hoped.
Tyler once said he writes his scripts in a week and from this film.. we can see. There were so many plot holes, and although the plot twists were good it just left me with more questions. After the movie, I had to rewind to the beginning to see if I was just stupid or if he really just did not take enough time to write a full and complete story. I love supporting black people but Tyler what the hell?? I shouldn't need a thorough explanation video after watching a Tyler Perry movie... The scene where the white woman says she doesn't want to talk to the attorney anymore and she just turns around and the camera is still on her will be ingrained in my brain forever. We need you to spend more time writing Tyler, I just don't understand.
It started out okay. The premise wasn't amazing, but it had just enough going on to keep me watching. The setup hinted at something interesting-maybe a decent thriller-but that potential quickly fades.
The plot becomes painfully predictable. Every twist is telegraphed well in advance, and what should've been suspenseful ends up feeling like a checklist of overused tropes.
I felt sorry for Kat Graham being surrounded by such bad actors. Some of the acting is just dire. Honestly, it feels like half the cast is reading lines off cue cards.
Kat Graham stands out as the only actor who seems to be trying, and it's a shame she's surrounded by performances that drag everything down. She deserves better.
The dialogue doesn't help. At times it's melodramatic, at others it's painfully flat. Combined with inconsistent pacing and clunky scene transitions, the whole thing starts to feel like a rushed soap opera.
And then there's the ending. Ridiculous doesn't even begin to cover it. Implausible, rushed, and honestly kind of insulting. After sticking it out, you're rewarded with a conclusion that doesn't make sense and completely undermines whatever buildup there was.
In short: a forgettable, frustrating film that wastes both its audience's time and Kat Graham's talent. Tyler Perry has done better. This one misses the mark by a mile..
The plot becomes painfully predictable. Every twist is telegraphed well in advance, and what should've been suspenseful ends up feeling like a checklist of overused tropes.
I felt sorry for Kat Graham being surrounded by such bad actors. Some of the acting is just dire. Honestly, it feels like half the cast is reading lines off cue cards.
Kat Graham stands out as the only actor who seems to be trying, and it's a shame she's surrounded by performances that drag everything down. She deserves better.
The dialogue doesn't help. At times it's melodramatic, at others it's painfully flat. Combined with inconsistent pacing and clunky scene transitions, the whole thing starts to feel like a rushed soap opera.
And then there's the ending. Ridiculous doesn't even begin to cover it. Implausible, rushed, and honestly kind of insulting. After sticking it out, you're rewarded with a conclusion that doesn't make sense and completely undermines whatever buildup there was.
In short: a forgettable, frustrating film that wastes both its audience's time and Kat Graham's talent. Tyler Perry has done better. This one misses the mark by a mile..
Você sabia?
- Trilhas sonorasBack at It Again
Performed by LÒNIS feat. Julisa
Written by Jennifer Hanson, Nick Brophy, Lisa Wilson
Published by JUJUFRUIT/Peermusic III, Ltd. o/b/o itself, Miss Marvelle Music, and Songs of Sanchez
Courtesy of Peer-Southern Productions, Inc.
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- Tempo de duração1 hora 49 minutos
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What is the French language plot outline for De Tyler Perry: Duplicidade (2025)?
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