Pesquisa avançada

Após a morte do marido, uma parteira idosa é convencida pelas filhas a voltar ao seu povoado, onde o resto da família ainda vive. Deixando para trás uma vida simples e agrária, ela chega a um lugar em que tradição e modernidade colidem.

A talk show packed with nonsense sketches set in a dystopian future, at the end of times, when there's no one to interview, no advertisers, no audience, no director and no staff.

Quatro amigos compartilham o sonho de fazer um grande filme de ação e nem mesmo o enorme talento deles para se meter em complicações vai fazer com que desistam de realizá-lo.

Um lugar sem rumo, cheio de conflitos e de acontecimentos que beiram o surreal. Brasil? Não. Um posto de gasolina ultrapassado com um dono idem. Aos funcionários resta uma missão praticamente impossível: manter a sanidade mental.

characters with inspiring life stories that are told in testimonies in the midst of the landscapes where they live - always in the extreme nature of each of the main biomes of the South American territory.

Brazil has the most lethal police in the world and it reflects directly in the violent performance during the street demonstrations: leaving people blind, injured and dozens of political prisoners. Situations that remind us of the times of the military dictatorship in Brazil (1964-1985) and threaten the freedom of speech. This violent march still continues, but we cannot see our way through the dense cloud of tear gas.

Simone, Thiana and Michel are young friends living on the outskirts of São Paulo. Simone looks for a job, Thiana tries to be a doctor and Michel still don't know what to do. Amidst the demands of the beginning of adulthood, a historic event in May 2006 changes the course of their lives forever.

A cada episódio, Daniel Furlan se debruça superficialmente sobre um novo tema.

Colonel Ustra was the only military man convicted of torture in Brazil. For some he is considered a torturer, to others a hero. What is the truth?

The birth of a film festival in the hinterland of northern Minas Gerais, more precisely in the community that gives name to the competitive show: Sagarana. Just as the text of Guimarães Rosa helped to create part of the culture of that place, a group of people from the most diverse places joins to begin a cinematographic look at a town little accustomed to seeing regional films being exhibited in a big screen, of grace and in the field from square.