Sources say that Jasper Pääkkönen and Sam Strike have both been cast in the pilot, which is based on the Stephen King book series of the same name. Strike will play Roland Deschain, also known as The Gunslinger, while Pääkkönen is believed to be playing The Man in Black, also known as Marten Broadcloak and Randall Flagg. The series is said to tell the story of how Roland became a gunslinger and his first encounter with the villainous Man in Black.
Amazon declined to comment.
Strike most recently starred in the Syfy series “Nightflyers,” based on the George R.R. Martin novella. His other recent credits include “Mindhunter,” “Timeless,” and “EastEnders.” He will also appear in HBO’s upcoming miniseries “Chernobyl.”
Pääkkönen recently starred in Spike Lee’s Oscar-winning film “BlacKkKlansman
Dan and Eugene Levy, who created and star in the wildly popular series took to social media to break the news.
"We are so grateful to have been given the time and creative freedom to tell this story in its totality, concluding with a final chapter that we had envisioned from the very beginning," Daniel and Eugene Levy said.
Legendary acquired the feature film rights in December and have quickly made the project a high priority at the studio. Lloyd Kaufman and Michael Herz of Troma Entertainment will serve as producers with Alex Garcia and Jay Ashenfelter overseeing for Legendary.
Kaufman and Herz produced the original 1984 comedy, set in the fictional town of Tromaville, N.J., and centered on a mild-mannered janitor at a health club who’s chased out a second story window by bullies and lands in a drum of toxic waste. The chemicals cause him to transform into the Toxic Avenger, who has superhuman size and strength and stands up to bullies and corruption.
“The Toxic Avenger” became successful after a long run as a midnight movie in New York City, leading to the
Lindsey Ferrentino is adapting the screenplay.
We hear that both Russell and Krasinski aren’t looking to direct the adaptation. Krasinski and Allyson Seeger will produce the project through their Sunday Night banner with Russell and Matthew Budman.
Krasinski’s on hand to write and direct A Quiet Place sequel for Paramount with Blunt also reprising her role in the film. That has been dated for a May 15, 2020 release.
The Golden Globe-winning actress most recently gave an enchanting
The Association of Talent Agents made counter-proposals at Thursday’s session that contain provisions for more accountability and transparency by agencies for clients including giving writers power over whether a television show is packaged, as previously promised. But they do not eliminate agencies receiving packaging fees or having ownership interest in affiliate production companies — which are key demands from the WGA.
It’s unclear whether those proposals will be enough for the WGA leaders to reach a deal. The two sides have made little progress in negotiations to revamp the 43-year-old franchise agreement governing how agents represent writers.
Failure to reach a deal before April 7 means the agreement expires. That could have severe consequences because the WGA will
But, as they found out on Thursday, there is a difference between anticipating a painful future and watching that feared reality come to pass. The ax fell at the film division with brutal efficiency, wiping away much of the senior leadership at Fox’s marketing, distribution, and consumer products arms. Some staffers, who had been engaging in gallows humor for weeks, burst into tears when they received the word in one-on-one meetings with human resources reps that their positions were being terminated. Others retreated to nearby bars to host impromptu
Applying math to art is always a foolhardy endeavor. But I can’t help looking at this season of Nine-Nine — one of the series’ best creative stretches ever, at an improbably advanced age — and think how much of it comes down to two versus three, or six versus seven. In previous years, the show had seven main characters to service, plus Hitchcock and Scully for jokes but rarely for story purposes.
“Well, marriage Number Two,” he says contemplatively, before alluding to cheating on his current wife. “My first marriage, I chose to leave. That’s not fucking up, that’s me moving on. Now, this time, I fucked up.
Five distinct Fox labels and a portion of their leadership have been welcomed into the Disney fold, the company said. This includes Twentieth Century Fox, Fox Family, Fox Searchlight Pictures, Fox 2000, and Blue Sky Studios.
The Elizabeth Gabler-run imprint Fox 2000 will be shuttered, Variety previously reported earlier in the day, though the late Thursday announcement from Disney noted Gabler will continue on through “the completion of the current slate.” Animation label Blue Sky Studios is expected to complete the release of two films in production, Variety reported last year, though its fate after that point is unknown.
Remaining studio leadership at labels like Walt Disney Studios, Walt Disney Animation, Pixar, Lucasfilm and Marvel remains unchanged. Fox Film lost a series of top leaders in marketing,
Janelle Monae will star in an untitled Lionsgate movie directed by the duo Gerard Bush and Christopher Renz.
The film will be produced by QC Entertainment’s Ray Mansfield and Sean McKittrick, along with Zev Foreman and Lezlie Wills. QC Entertainment produced “Get Out” and “BlacKkKlansman.” McKittrick also recently produced Jordan Peele’s “Us.”
Monae is a Grammy-nominated singer-songwriter who starred in “Hidden Figures” and “Moonlight.” Bush and Renz have worked on campaigns for the Mlk Memorial Foundation and Amnesty International, in addition to directing Jay-z’s music video “Kill Jay Z” and the police brutality PSA “Against the Wall,” starring Michael B. Jordan, Danny Glover, and Michael K. Williams. The news was first reported by Deadline Hollywood.
“It’s an Academy issue, they need to figure out how they want to define what a feature film is…they need to be crystal clear on how they’re evaluating it,” said Michelle Hooper, Marketing Evp at Fox Searchlight. “For me I feel like it needs to be a level playing field, they need to define is it a four-week theatrical window, and they need to report box office, regardless of the spending. It just needs to be defined and all of us need to be playing in the same sand box.
Andrew Davies’ adaptation of Victor Hugo’s classic has been acquired by broadcasters in Scandinavia and southern Europe, and by several buyers in Asia, ahead of its French premiere, Saturday, at the Series Mania drama festival in Lille.
The English-language series stars West as Jean Valjean, Oyelowo as Javert, and Collins as Fantine. A sizable cast also includes Olivia Colman, Adeel Akhtar, and Josh O’Connor.
They couldn’t have made their point better than they did with the teaser trailer released Wednesday. Tarantino signals with the teaser that that the film won’t just be a portrait of one horrible night in 1969, but rather of an entire era, sweeping across at least three years prior to the Manson murders.
Because he’s Quentin Tarantino, he doled out those clues via obscure Bruce Lee knowledge, old TV and movie marquees. Let’s look at all the signs, literal and figurative, that “Once Upon a Time in Hollywood” won’t surrender its story to Manson.
First, Some Background
On Aug. 9, 1969, Sharon Tate (played by Margot Robbie
The Burbank-based studio plans to release all of Fox’s films, an individual with knowledge of the slate tells TheWrap, but some of the 13 Fox films slated for release in the next 12 months will be moved around in the coming weeks to avoid competing against Disney’s own 2019 slate. Disney declined to comment.
The likeliest target for a move: James Gray’s sci-fi film “Ad Astra,” starring Brad Pitt as an astronaut who chases after his father (Tommy Lee Jones) who disappeared on a failed mission to Neptune decades earlier. Fox has booked the film to open May 24 — the same day as Disney’s live-action adaptation of the animated hit “Aladdin,” making a date change all but inevitable.
But in the modern entertainment business, the rivals can’t even decide who the rivals are. It’s a “Game of Thrones” among competing kingdoms large and small, with no certainty about which players will still be players in a year.
What everyone does agree on is where the fight is: The world of streaming.
It’s tempting to imagine Hollywood as a face-off between Disney and Netflix. With its acquisition of Fox this week, 95-year-old Disney is trying to slap down Netflix, which in just 22 years has managed to top Disney in total value. Disney rules in theaters, but Netflix dominates streaming.
Netflix has raided rising Disney talent in recent months, but Disney’s $71 billion acquisition of Fox, which closed on Tuesday, arms Disney
Universal has set a first-look production agreement with Feig’s Feigco Entertainment, bringing in the prolific producer, writer, and director known for hits like “Bridesmaids” and the recent “A Simple Favor.”
News of Feig’s relocation shook out of a firestorm of layoffs on Fox’s West Los Angeles lot this Thursday, the result of Walt Disney’s absorption of the company’s film and TV assets. Little will change for Feig, whose shop will continue to be co-run by producing partner Jessie Henderson.
After dropping out of college years ago, Feig spent a year working as a Universal Studios tour guide while launching a stand-up career.
“Paul is one of the most distinctive and versatile filmmakers working today, and we are thrilled to welcome him, Jessie Henderson, and the FeigCo team back to Universal.
But “Us” is a little bit less straightforward than “Get Out” was, offering up what appears on the surface to be a fairly simple but ingenious twist on the home invasion formula — our protagonist family of four, led by Lupita Nyong’o and Winston Duke, is forced to face off against their own evil doppelgangers. But the further you get into the film, the clearer it becomes that there is so much more going on here than you could have imagined.
So as the credits begin to roll and you’re trying to figure out what it was you just saw, you’re gonna want help from any place
Feig’s next film is Universal’s “Last Christmas,” which will star Emilia Clarke and Henry Golding. The film is set for release on Nov. 15.
“Paul is one of the most distinctive and versatile filmmakers working today, and we are thrilled to welcome him, Jessie Henderson, and the FeigCo team back to Universal,” Peter Cramer, President, Universal Pictures, said. “We know they will add to their impressive track record of creating successful films for global audiences that are full of Paul’s signature joy, wit, and heart, starting with ‘Last Christmas’ in November.”
Also Read: Universal Dates Paul Feig's 'Last Christmas' for November 2019
Feig is developing projects at Universal that include Eva Longoria’s “24-7,” which he is producing alongside Kerry Washington and Ben Spector. Feig is
Season two of “Yellowstone,” starring Kevin Costner, will premiere on Paramount Network on June 19 at 10 p.m. Et/Pt. The sophomore season will continue the story of rancher John Dutton (Costner) as he defends his plot of land from new threats. The cast also includes Luke Grimes, Kelly Reilly, Wes Bentley and Cole Hauser.
“The Good Wife” star Josh Charles will have a recurring role on Showtime‘s upcoming
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