‘Ultraman: Rising’ Filmmakers On Graphic-Style Animation, A “Family Theme” For The Score And Showing A New Side Of The Superhero

Ultraman has been a prominent media franchise in Japan since the television series Ultra Q first premiered in 1966. Even from a distance, the character made an impact on a young Shannon Tindle growing up in rural Kentucky, who would go on to become the writer-director of Netflix’s animated Ultraman: Rising. Along with co-director John Aoshima, the pair brought out a new side of the kaiju fighting giant with a focus on caretaking rather than destruction.
The film follows Ken Sato (Christopher Sean), a baseball star who returns to Japan to take the mantle of Ultraman when his father retires. Though his brash and self-centered attitude doesn’t get him many fans, his outlook soon changes when he becomes the caretaker of Emi, a newborn kaiju.
Deadline had the opportunity to sit down with Tindle and Aoshima, as well as VFX supervisor Hayden Jones and composer Scot Stafford at Industrial...
The film follows Ken Sato (Christopher Sean), a baseball star who returns to Japan to take the mantle of Ultraman when his father retires. Though his brash and self-centered attitude doesn’t get him many fans, his outlook soon changes when he becomes the caretaker of Emi, a newborn kaiju.
Deadline had the opportunity to sit down with Tindle and Aoshima, as well as VFX supervisor Hayden Jones and composer Scot Stafford at Industrial...
- 26/11/2024
- di Ryan Fleming
- Deadline Film + TV
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