However, the film itself is a regrettable one: At first, audiences may think “Charlotte” will render Salomon’s boldly expressionistic colors, shapes, and narrative flourishes in animated form. Perhaps it will be like “Loving Vincent,” but a new take on an artist who deserves more attention rather than another look at the world’s most overexposed painter.
Sadly, it is not. With only the faintest attempts at replicating Salomon’s graphic style, “Charlotte” very much shows its directors’ lack of feature animation directing experience. The animation on display is stilted and lifeless — simplistic,