With Onward, writer/director Dan Scanlon made magic out of a profound personal experience, using his understanding of loss as a foundation, from which he’d craft a quest story like none other.
The second Disney/Pixar animated feature from Scanlon, following 2013’s Monsters University, centers on Ian (Tom Holland) and Barley Lightfoot (Chris Pratt), elven brothers in search of a magical artifact that will bring their father back to life for a day.
One of few films in 2020 experienced as intended, Onward enjoyed a splashly premiere in Berlin and debuted in theaters across the world in early March. Subsequently, with the enormous degree of loss brought on by the Covid-19 pandemic, Scanlon’s film would only become more timely—his notion of channeling pain into art, all the more resonant.
“A big part of the film is about, there’s things you want in life and people you want to be with,
See full article at Deadline »
The second Disney/Pixar animated feature from Scanlon, following 2013’s Monsters University, centers on Ian (Tom Holland) and Barley Lightfoot (Chris Pratt), elven brothers in search of a magical artifact that will bring their father back to life for a day.
One of few films in 2020 experienced as intended, Onward enjoyed a splashly premiere in Berlin and debuted in theaters across the world in early March. Subsequently, with the enormous degree of loss brought on by the Covid-19 pandemic, Scanlon’s film would only become more timely—his notion of channeling pain into art, all the more resonant.
“A big part of the film is about, there’s things you want in life and people you want to be with,