“I think color is one of the best storytelling devices that we have,” explains costume designer Alexandra Byrne. “It is a kind of subliminal signpost. You’re guiding the audience’s instinctive response to something.” The Oscar winner used color to great effect while bringing Regency-era clothing to life in “Emma.” Watch the exclusive video interview above.
“Emma” isn’t the first time Byrne has tackled a Jane Austen adaptation. She previously designed the outfits for “Persuasion” (winning a BAFTA TV Award in the process). It was her first ever film, with the designer admitting she “had not a clue what I was doing.” That allowed her to work off of her intuition, after amassing mountains of research of course (which she notes was more difficult back in 1995 before the internet inundated us with information and images). “There is a great joy in trusting your instinct,” says Byrne. Her work
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“Emma” isn’t the first time Byrne has tackled a Jane Austen adaptation. She previously designed the outfits for “Persuasion” (winning a BAFTA TV Award in the process). It was her first ever film, with the designer admitting she “had not a clue what I was doing.” That allowed her to work off of her intuition, after amassing mountains of research of course (which she notes was more difficult back in 1995 before the internet inundated us with information and images). “There is a great joy in trusting your instinct,” says Byrne. Her work