It’s ironic that Netflix
’s first original animated feature is a throwback to the glory days of Disney
’s hand-drawn masterpieces, but the streaming giant has a knack for making the kinds of movies that other studios have deemed obsolete. And if nothing else, Sergio Pablos’ “Klaus” is a convincing argument that we shouldn’t let the old ways die (which is not a terribly difficult case to make considering that even the best CGI animation still has all the soul of an algorithm).
Of course, Pablos might be trying to atone for his own sins, as the Spanish filmmaker — who spent the ’90s working on more classical projects like “A Goofy Movie
” and “The Hunchback of Notre Dame
” — eventually left the Mouse House
to create the “Despicable Me
” franchise, an eyesore so influential that it’s grown into a sty on the cinema itself.
But “Klaus” is so