Mipcom remains the biggest international TV get-together of the year, and that makes Cannes in October the place where the industry takes stock. How programming is made, bought and sold is changing, as is the array of platforms that carry content. Here are takeaways from Mipcom 2019.
Good Buzz – but No Title Dominates
No show rocked Mipcom the way that “Killing Eve” or “Years and Years” did at past MipTVs. But then, as non-English-language shows (“Money Heist”) and formats (“The Good Doctor”) break out to huge audiences, buyers can be forgiven for having a more diffuse focus. Shows with good word of mouth in the Mipcom market ranged far and wide, from “Normal People,” a love story part-directed by Oscar-nominated Lenny Abrahamson, to “La Jauría” (“The Pack”), a Fabula/Fremantle production and gender crime thriller; from animated pop history anthology “We Are Family,” from France’s TeamTo, to Japan’s “Nagi’s Long Vacation,...
Good Buzz – but No Title Dominates
No show rocked Mipcom the way that “Killing Eve” or “Years and Years” did at past MipTVs. But then, as non-English-language shows (“Money Heist”) and formats (“The Good Doctor”) break out to huge audiences, buyers can be forgiven for having a more diffuse focus. Shows with good word of mouth in the Mipcom market ranged far and wide, from “Normal People,” a love story part-directed by Oscar-nominated Lenny Abrahamson, to “La Jauría” (“The Pack”), a Fabula/Fremantle production and gender crime thriller; from animated pop history anthology “We Are Family,” from France’s TeamTo, to Japan’s “Nagi’s Long Vacation,...
- 10/18/2019
- by Stewart Clarke, John Hopewell and Cynthia Littleton
- Variety Film + TV
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