Four years later, Jaquemet is back. But, in a step-up in status, his second feature, “The Innocent,” world premiered early September in Toronto’s prestige Platform competition, and, screening at Austin’s Fantastic Fest, now makes its European bow in San Sebastian, playing in main competition.
Few films this year at San Sebastian are likely to challenge audiences more. Its protagonist, Ruth, now 40something, saw her world turned upside down in her youth when her fiancé is convicted of murdering his aunt. Wracked by uncertainty as to his guilt, she has sheltered in more robust beliefs, working in a neuroscience lab