MollywoodThe artificiality fades a little in the second half of the film, when it picks pace.CrisRanam begins and ends with the same scene, the same voice. Prithviraj’s. He is there in nearly every frame. And if he isn’t seen, he is heard. It’s nice to begin a movie with a narration. But for Ranam, the narration is a constant. Aadhi (Prithvi’s character) mouths long lines, connecting a past with a present, a Kerala with a Detroit. The artificiality begins there, in that narration. It doesn’t go away when the narration ends and the camera goes into Detroit, a city it first pans from up above, out of focus for some reason. The clichéd chase that follows, and the background music in this sequence in which Aadhi emerges successful, is disappointing if you had gone with expectations. The teaser that came months ago and the...
- 9/6/2018
- by Cris
- The News Minute
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