[Editor’s Note: The following review contains spoilers for “Sharp Objects” Episode 3, “Fix.”]
Given the flashy, time-hopping structure of “Sharp Objects,” it’s easy to overlook the range of emotion Amy Adams displays in just one episode. In the series’ third hour, “Fix,” she flirts with “that guy from Kansas City,” conducts a delicate interview with the father of a dead girl, screams into her steering wheel at her mother, apologizes to her mother, worries about her secretive half-sister, and the whole time she’s remembering her tragic stay at a rehabilitation facility in St. Louis — not to mention teetering between buzzed and black-out drunk.
These scenes call on an effortless charm, then an apprehensive fortitude, outright anger, forced humility, contemplative concern, and restrained self-loathing, respectively; Adams is always on point, while Camille is always on the edge of hurting herself. The scars tattooing her body prove as much, and in Episode 3 the motivation becomes clearer. As a child,...
Given the flashy, time-hopping structure of “Sharp Objects,” it’s easy to overlook the range of emotion Amy Adams displays in just one episode. In the series’ third hour, “Fix,” she flirts with “that guy from Kansas City,” conducts a delicate interview with the father of a dead girl, screams into her steering wheel at her mother, apologizes to her mother, worries about her secretive half-sister, and the whole time she’s remembering her tragic stay at a rehabilitation facility in St. Louis — not to mention teetering between buzzed and black-out drunk.
These scenes call on an effortless charm, then an apprehensive fortitude, outright anger, forced humility, contemplative concern, and restrained self-loathing, respectively; Adams is always on point, while Camille is always on the edge of hurting herself. The scars tattooing her body prove as much, and in Episode 3 the motivation becomes clearer. As a child,...
- 7/23/2018
- by Ben Travers
- Indiewire
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