A once-dormant entity is resurrected and vulgarly mutated to fit the irresponsible demands of an entire population in the name of capitalist greed–this is not only the core narrative throughline of the newly-resuscitated Jurassic Park franchise, but also the primary goal of the executives at Universal Pictures. In Fallen Kingdom, we literally see dollar signs light up across the eyes of a megalomaniacal business tycoon (i.e. Universal) as his new technologically advanced breed of dinosaurs (i.e. this new iteration of the franchise) sell for millions to thrill-seeking bidders (i.e. the audience). One would think these parallels are obvious enough to be intentional, yet the new batch of Jurassic films seem to be completely bereft of a much-needed sense of self-awareness.
In the films of Steven Spielberg, the inherently ridiculous and thrilling concept of reviving the Jurassic era in the modern day was executed with a sense of humanity,...
In the films of Steven Spielberg, the inherently ridiculous and thrilling concept of reviving the Jurassic era in the modern day was executed with a sense of humanity,...
- 6/20/2018
- by Jordan Raup
- The Film Stage
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