A flock of sheep, fleeces and faces splattered with blood, mill around the camera in ovine alarm. The source of the blood is revealed: a young farmer standing among them, with an enormous spurting gash across her throat, so deep you can see tendons and perhaps even the white of bone. It’s a shocking image to see in the first minute of a film, but what makes the opening of Alejandro Fadel’s “Murder Me, Monster” truly memorable is when the woman’s hands come up into frame as she tries to fix her nearly severed head back on her neck. This unflinchingly grotesque and darkly comic opening, however, is deceptive in being so declarative. Most of the rest of this Un Certain Regard title burns much lower and slower, mountainously heavy with mood and metaphysics, and almost completely incomprehensible.
Set in the Mendoza region of Argentina, which is famous for its vineyards,...
Set in the Mendoza region of Argentina, which is famous for its vineyards,...
- 5/21/2018
- by Jessica Kiang
- Variety - Film News
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