Tom Howe is an English composer who has been working in the film and television industry since the mid-2000s. Though starting relatively recently, his works have been heard by millions, with British audiences in particular no doubt being familiar with his compositions for programs like Autopsy: The Last Hours Of…, The Lodge, and Paranormal Witness. His latest two musical pieces are for the movies Early Man and Charming, both set to be released in 2018.
Flickering Myth had the privilege of interviewing him, and I in turn had the honor to conduct it. I began by asking Mr. Howe a seemingly straightforward question of what the biggest difference was between composing for a television series versus composing for a movie. “The truth is the difference is becoming less and less,” Howe told me, as the past 10 years or so has seen