There can be little doubt that the opening sequence to any movie is possibly one of the most crucial moments in a picture. It often sets the tone for what is to come, and rarely fools the audience into thinking that they are watching a feature in particular that then suddenly changes course. There are exceptions, such as in Alfred Hitchcock
‘ (1960) where, judging by it’s opening, you would be forgiven for thinking that you were about to watch a film about a love-struck secretary turned thief who goes on the run to be with her boyfriend, only then to run into a sharp knife while taking a shower that completely alters the course of what one is experiencing.
But the likes of the above are one in a thousand. Excitement and appeal are huge factors, and it is important to reassure us that what we paid to