The last thing the world needs right now is another star-studded movie about the race riots that scarred 20th Century America. Okay, that’s not entirely true — past trauma can be an indispensable lens through which to see present tragedies, and we sure have plenty of both — but anyone who suffered through this summer’s “Detroit
” would certainly be forgiven for thinking otherwise. The halos of celebrity and commercialism tend to obfuscate the potential value of exhuming such terrible events, and that blockage is only compounded by the insistent whiteness that always makes it possible. These films may be made with the best of intentions (and the most humanistic of ideals), but something is invariably lost in translation.
Consider the differences between Justin Chon
,” which came out late this summer, and Deniz Gamze Ergüven
,” which is slated for release this fall. Both films are about the L.