‘Snatch’ Review: One Punch From Brad Pitt Had More Power Than Crackle’s New TV Show

‘Snatch’ Review: One Punch From Brad Pitt Had More Power Than Crackle’s New TV Show
It’s been 16 years since Guy Ritchie’s London crime story, “Snatch,” first debuted in the U.S., and, while the black comedy pulled in a decent sum, its primary accomplishment was of a cult fandom (and earning Guy Ritchie a shot at the big time). With that in mind, I don’t feel too bad for only remembering a few key moments from a film built on a sharp wit and distinct characters:

Alan Ford’s thick, creepy glasses; Dennis Farina’s crass American foil to all those classy Brits; Jason Statham proving he can do more than just beat the hell out of his co-stars; the tragic fate of Benicio del Toro’s Franky Four Fingers; and, of course, the sole iconic element of Ritchie’s first major studio film (aside from ultra slo-mo fight scenes): Brad Pitt’s gibberish-spouting gypsy boxer with a devastating right hook,
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