“We did what we had to do,” argues one of the beautiful terrorist teens in Bertrand Bonello’s “Nocturama,” a vague and intriguingly inert thriller that waits 50 minutes before revealing “what they had to do” and never bothers explaining why they had to do it. It’s hypnotic all the same. Fresh off his emotionally extravagant biopic of fashion designer Yves Saint Laurent, Bonello has returned with another film about the seductive power of surfaces. With his previous project, he presented that idea as his subject — with this one, he sublimates it directly into his style. The result is a portrait of radical violence that has almost no resemblance to terrorism as we know it, and yet sometimes feels all more accurate because of that.
Bonello might keep the context to a minimum, but you can tell almost immediately that something bad is about to go down in the heart of Paris.
Bonello might keep the context to a minimum, but you can tell almost immediately that something bad is about to go down in the heart of Paris.
- 9/8/2016
- by David Ehrlich
- Indiewire
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