Sdcc 2013: Composers Discuss the Music Behind Your Favorite TV Shows

ComicCon offers all kinds of experiences for attendees. You can stay completely in the world of film or immerse yourself in comics or even spend the weekend exploring tutorials and self-help panels. This year, due to a number of factors and in a pleasant surprise, my Con ended up being very music-heavy. I had the opportunity to talk with several film and television composers about their work, their process, and what being a composer in this industry means.

Versatility is essential for a career in film and television composition, given the range of projects out there. One composer I spoke with, iZLER, is currently working on Revenge and Shameless. Another, Chris Tilton, recently finished composing the music for the revamp of The Sims (mostly orchestral) and is currently at work on the new fall series Almost Human (mostly electronic). Not only do composers need the flexibility to seamlessly transition from
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