Fantasia 2011: Interview With Mario DeGiglio-Bellemare

Back during the 13th edition of the San Francisco Silent Film Festival, while researching Tod Browning's The Unknown (1927), I chanced upon Mario DeGiglio-Bellemare's provocative essay " 'Even a Man Who is Pure in Heart': Filmic Horror, Popular Religion and the Spectral Underside of History" published in the June 2005 issue of Journal of Religion and Popular Culture and republished in "The Werewolf in Visual Culture" in the Journal of the Imaginary and Fantastic, Vol. 1., No. 1. I was hooked by his theological perspectives on the horror genre. Imagine my delight when Mario noted my upcoming visit to Montreal for Fantasia 2011 and suggested we finally meet after years of corresponding online. Mario DeGiglio-Bellemare completed his Ph.D. at the University of St. Michael's...
See full article at Screen Anarchy »

Similar News