Movie News

'Spider-Man' Ready to Send Box Office 'Into the Spider-Verse'

'Spider-Man' Ready to Send Box Office 'Into the Spider-Verse'
After last weekend saw no new wide releases hit theaters, resulting in the worst weekend of the year so far, this weekend offers up three new wide debuts led by Sony Animation and Marvel's Spider-Man: Into the Spider-Verse alongside Clint Eastwood's The Mule and Universal's young adult adaptation Mortal Engines. Additionally, Fox is re-releasing Deadpool 2 in a PG-13-rated version with all-new footage while Annapurna will look for If Beale Street Could Talk to top the charts based on per theater average as it begins its run this weekend. Looking to top the weekend is Sony Animation's Spider-Man: Into the Spider-Verse, a brand new take on Marvel's webslinger, a character that has already generated over $1.9 billion domestically and over $4.8 billion worldwide for Sony from six previous films. This, of course, is the first time he's been featured in an animated theatrical release and that makes forecasting a bit more difficult.
See full article at Box Office Mojo »

Thanksgiving 2019: Lionsgate To Release Rian Johnson's Murder Mystery ‘Knives Out’ With Daniel Craig & Killer Cast

  • Deadline
Thanksgiving 2019: Lionsgate To Release Rian Johnson's Murder Mystery ‘Knives Out’ With Daniel Craig & Killer Cast
Exclusive: Lionsgate is set to partner with MRC and distribute worldwide Knives Out, the contemporary murder mystery that Looper and Star Wars: The Last Jedi helmer Rian Johnson wrote and is directing. Daniel Craig stars as a detective trying to solve a murder and the killer ensemble cast includes Chris Evans, Michael Shannon, Lakeith Stanfield, Jamie Lee Curtis, Toni Collette, Ana de Armas, Christopher Plummer, Katherine Langford and Don Johnson.

Lionsgate has dated the film for nationwide release on November 27, 2019 for the Thanksgiving holiday corridor.

The film became possible when director Danny Boyle exited James Bond 25. While that film regrouped — Cary Fukunaga is directing it — Craig suddenly had an open slot, and Johnson and his producing partner Ram Bergman took full advantage with an Agatha Christie-style murder mystery that Johnson wrote and was able to squeeze in before he and Bergman drill down on a new trilogy in the Star Wars universe.
See full article at Deadline »

‘Once Upon a Deadpool’ Jingles $900K+ On Wednesday

  • Deadline
‘Once Upon a Deadpool’ Jingles $900K+ On Wednesday
20th Century Fox’s PG-13, holiday infused re-imagining of Deadpool 2 drew an estimated $953K in early morning industry estimates in its opening Wednesday at 1,566 theaters (including Tuesday previews). That number was good enough to make Once Upon a Deadpool second behind Universal/Illumination’s The Grinch which led all movies yesterday with $968K in its fifth Wednesday and a running total of $226.7M.

Rival distributors didn’t know what to expect from Once Upon a Deadpool; the film flew under the radar of tracking, and for Fox, it’s all gravy for the Deadpool brand. Not to comp because the movie catered to a completely different crowd, but the Weinstein Co.’s The King’s Speech changed its rating from R to PG-13 following its Oscar best picture win in 2011 earning $1.1M over three-days in its April re-release for a final tally of $3.3M. The whole thought process behind
See full article at Deadline »

Paramount Inks Deal for Theme Park in South Korea

Paramount Pictures has announced a deal to install a studio-branded theme park in an entertainment resort being developed in South Korea. The agreement was struck between Paramount and Mohegan Gaming & Entertainment, which owns the Inspire Integrated Entertainment Resort in the South Korean city of Incheon.

Mohegan has invested Krw 2.8 trillion ($2.4 billion) in the new entertainment resort, which will be built on nearly 1,100 acres of land at the Incheon airport’s International Business Complex. The resort will feature the Paramount theme park and its related entertainment and retail village, a five-star hotel, an arena for K-pop concerts and sports, conference and convention space, and a casino. The theme park would incorporate attractions based on Paramount properties, such as “Mission: Impossible.”

Kevin Suh, Paramount’s Evp of themed entertainment, said that the site would be “one of the first locations for a world-class Paramount-branded theme park” and that the studio expected Inspire
See full article at Variety - Film News »

Fox execs land international post-merger Disney roles

  • ScreenDaily
Shape of international organisation unveiled after $71bn deal closes.

Several senior Fox executives will take on international management roles at Disney after the latter’s landscape-changing deal for the former closes.

Significantly for the UK, Fox Networks Group Europe and Africa president Jan Koeppen has been named president of television and direct-to-consumer for at Disney Emea.

He will report to Rachel Campbell, who will continue to lead Disney Emea while adding responsibilities for Russia and the Cis region.

She in turn will report to Disney international and direct-to-consumer chairman Kevin Mayer, who has also named the leadership in Asia and Latin America.
See full article at ScreenDaily »

Big-screen boom: UK cinemas on track for best year since 1971

Box-office success is attributed to a more diverse film slate and rise of boutique theatres

The British box office is heading for its best year in almost five decades as cinemas continue to defy the stay-at-home lure of Netflix.

When the final ticket stubs are counted it is expected that British cinemagoers will have attended 176m times this year, a number not seen since 1971 when the hits included Diamonds Are Forever, French Connection, Dirty Harry and Fiddler on the Roof.
See full article at The Guardian - Film News »

Luc Besson's embattled EuropaCorp posts $101m loss

Luc Besson's embattled EuropaCorp posts $101m loss
Radical restructuring plan has yet to stem losses as content pipeline runs dry.

French filmmaker and producer Luc Besson’s embattled film company EuropaCorp has posted a $101m (€88.9m) loss for the first half of the 2018-19 financial year, as it struggles to bring debts worth some $280m (€236m) under control.

The results come on the back of a turbulent three weeks for the company and its founder, after French media reported a fresh round of sexual misconduct accusations against Besson, following those of Belgian actress Sand Van Roy, who filed a police complaint against the filmmaker in May. Besson denies all allegations.
See full article at ScreenDaily »

Gravitas Ventures seals multi-territory deal on Irish feature 'Lost & Found' (exclusive)

Film is set around an Irish train station.

Gravitas Ventures has acquired worldwide rights to Lost & Found, the third feature from Irish writer-director Liam O Mochain.

Lost & Found comprises seven interconnecting stories set in and around the ‘lost and found’ office of an Irish train station. All the segments are inspired by true stories.

A North America theatrical release is scheduled for early 2019, with an international rollout later in the year.

In October the film was acquired by Rialto Film Distribution for Australia/New Zealand, Film4 and High Fliers for the UK and Rte TV in Ireland.

It premiered at
See full article at ScreenDaily »

Arca, Cacerola, Viento del Norte, Panda Team on ‘Mental Health Not Included’ (Exclusive)

Buenos Aires — In a return to film production after serving as president of Argentina’s National Institute of Film and the Audiovisual Arts (Incaa) and then as a member of parliament, film producer Liliana Mazure is teaming with prestigious counterparts in Mexico and Brazil on a three-part, pan-regional dark comedy, “Mental Health Not Included.”

Lead produced by Mazure’s Arca Difusión in Argentina, Laura Imperiale’s Cacerola Films and Carlos Sosa’s Viento del Norte in Mexico and Beto Rodrigues Panda Filmes in Brazil, “Mental Health” will be directed by Martin Salinas, writer of 2003 Diego Luna starrer “Nicotina” and writer-director of the Diamond-distributed and then Netflix-released “Ni un hombre más,” with Valeria Bertuccelli.

Also written by Salinas, “Mental Health Not Included” kicks in with the president of the United States, Donald Cramp, announcing an end to international trade: the U.S. will henceforth function as a self-sufficient economy. He
See full article at Variety - Film News »

Iffam and Variety Celebrate Asian Talent Up Next

Iffam and Variety Celebrate Asian Talent Up Next
The International Film Festival and Awards Macao and Variety combined forces for the second year running to put a spotlight on Asia’s acting talent.

A well-attended meet-the-stars press event on Friday afternoon in Macau was addressed by leading local official, Maria Helena Senna de Fernandes. She turned the microphone over the five actors from different corners of the region, who dazzled with poise and wisdom beyond their years.

In 2017 the talent selection included Celina Jade, Ludi Lin, Rajkummar Rao, Shioli Kutsuna, Piolo Pascual, And Chutimon Chuengcharoensukying, better known as the star of “Bad Genius.”

The five in this year’s crop — Xana Tang (New Zealand), Ann Curtis (The Philippines), Zheng Kai (China), Zaira Wasim (India) and Iqbaal Ramadhan (Indonesia) – will be presented with trophies on stage this evening at the closing ceremony of the Iffam.

Xana Tang (New Zealand)

Best known in the role of an offbeat office assistant
See full article at Variety - Film News »

Panorama, Delicious Team for Bernardo de la Rosa’s ‘Mario’ (Exclusive)

Panorama, Delicious Team for Bernardo de la Rosa’s ‘Mario’ (Exclusive)
Buenos Aires — One of Mexico’s highest-flying production houses whose latest movie production, “I’m No Longer Here,” screens as a work on progress at Ventana Sur, Gerardo Gática and Alberto Muffelmann’s Panorama Global, will produce “Mario,” a bio series directed by Bernardo de la Rosa which underscores Latin America’s building drive into bilingual, bi-country U.S.-Mexico TV series.

The move comes as Mexican producers seek to attract finance from the U.S. market and also appeal to a younger, totally bilingual Latinos who may still feel attracted by Latino themed but largely English-spoken dramas.

“As the story of a Mexican living in the U.S., we have to embrace the two languages, as Hispanic do,” De la Rosa said.

Produced also by Delicious Films, the label created by De la Rosa and Fernando Cabonara, “Mario” was presented in one-to-one meetings to sales agents and potential co-producers
See full article at Variety - Film News »

UK box office preview: 'Aquaman' squares up to 'Spider-Verse', 'Mortal Engines'

Three titles look to make a splash before Mary Poppins arrives next week.

This week’s UK box office sees three high-profile studio releases enter the market.

For the last three years, this weekend in December has seen the release of a blockbuster Star Wars title, two of which, The Force Awakens in 2015 and The Last Jedi in 2017, now sit as respectively the first and fifth highest-grossing titles of all time in the UK.

This year, however, sees a break from the franchise and an opportunity for other releases to make the most of the early festive market.

See full article at ScreenDaily »

Film Review: ‘Backtrace’

Film Review: ‘Backtrace’
“You can’t kill me! I died seven years ago!” It’s very much to the credit of Matthew Modine that he persuasively sells this melodramatic scrap of dialogue, and every other aspect of his trickily written lead character, in “Backtrace,” a better-than-average VOD-centric thriller that likely wouldn’t work nearly so well without the veteran actor’s totally committed performance. Sylvester Stallone and Christopher McDonald are along for the ride, but in roles that keep them largely consigned to the sidelines until the inevitable climatic shootout. Throughout most of the movie’s running time, Modine is tasked with the majority of the heavy lifting, and he handles the burden admirably.

Of course, he does get a little help from co-stars Ryan Guzman, Meadow Williams and Tyler Jon Olson, cast as conspirators who smuggle Modine’s character, MacDonald, out of a prison psychiatric ward. Seven years earlier, MacDonald and two
See full article at Variety - Film News »

Khrustalyov, My Car! review – delirious and visually amazing Russian gem

A rerelease of Aleksei German’s 1998 satire is a journey into a hallucinatory world shot with documentary realism

There is visual amazement in store for anyone seeing this quite extraordinary re-release from the Russian director Aleksei German – along with disorientation, bafflement, horror and disgust. German’s final film, Hard to Be a God, was released here in 2015, two years after his death.

This is the film that came before, in 1998. It is very loosely inspired by Joseph Brodsky’s essay-memoir In A Room and a Half, which was in fact adapted far more directly in the film by Andrei Khrzhanovsky in 2009.
See full article at The Guardian - Film News »

‘Black Mirror’ Inspires TV Academy to Make Rules Changes to TV Movie Emmy Eligibility

Call it the Television Academy’s “Black Mirror” Rule. After Netflix’s Charlie Brooker anthology series won the Emmy for Outstanding Television Movie the past two years in a row, the org has given a little more clarity to what a “TV movie” is: Notably, that it has to be at least 75 minutes long.

That means that this year’s winner, the “Black Mirror” installment “USS Callister,” would have been eligible, as it ran for 76 minutes. But the category’s 2017 winner, the “Black Mirror” episode “San Junipero,” was only 61 minutes long, and would not have been eligible to compete under the new guidelines.

The decision to add a length requirement to the category comes just as anthology series experience a resurgence — and given the success of “Black Mirror” in the category, others were sure to emulate the idea of submitting an individual episode as an original TV movie.

As IndieWire
See full article at Indiewire »

Korea’s Contents Panda seals North America deal on 'Underdog'

Animation has also sold to France and China, with the latter taking equity in the film.

Korean studio New and its sales arm Contents Panda have announced a raft of deals on animation Underdog including sales to the Us and Canada (Well Go USA), France (The Jokers Films) and China (Fashion League).

Fashion League has taken equity in the film and also picked up rights to a slew of Asian territories including Singapore, Malaysia, Indonesia and Hong Kong.

The film is co-directed by Oh Sung-yoon and Lee Choon-baek, who worked together on Leafie, A Hen Into The Wild, which broke local animation box office records.
See full article at ScreenDaily »

The 50 best films of 2018: No 6 – Black Panther

Marvel broke new ground with Ryan Coogler’s exhilarating introduction to Wakanda, bringing social conscience and diversity to the increasingly tired superhero genre

See the rest of the UK countdownSee the rest of the Us countdownThe best culture of 2018

Despite the slick, well-constructed framework of the Marvel universe (an ongoing work of cinematic art compared to the slapdash scramble of the DC alternative), superhero fatigue has still been slowly creeping into their output. It was inevitable that after so many similarly structured capers, all acting as connective tissue to one another, that familiarity would breed contempt but it was less easy to predict just how grindingly dull so much of it would get.

What a joy it then was to experience Black Panther this past February; a vibrant, thrilling, intelligent and most importantly, distinctive addition to an overcrowded landscape. It managed to smoothly slide into the pre-existing canon while also
See full article at The Guardian - Film News »

Sondra Locke, actor in Clint Eastwood films, dies at 74

Actor starred in The Heart is a Lonely Hunter, before role in Eastwood’s The Outlaw Josey Wales

Sondra Locke: a life in pictures

Sondra Locke, the American actor who was nominated for an Oscar for her first film before co-starring in six films with her one-time partner, Clint Eastwood, has died.

The actor, who was 74, died at her home in Los Angeles after a cardiac arrest stemming from breast and bone cancer, according to a death certificate obtained by Associated Press. She died on 3 November and authorities were promptly notified at the time. It is not clear why it took nearly six weeks to be reported.
See full article at The Guardian - Film News »

Film News Roundup: ‘Lawnmower Man’ Director Brett Leonard Boards ‘Elijah’

Film News Roundup: ‘Lawnmower Man’ Director Brett Leonard Boards ‘Elijah’
In today’s film news roundup, “Elijah” gets a director, a French fry documentary starts shooting and “Uglydolls” moves its release date forward.

Project Launch

Brett Leonard, best known for directing ”The Lawnmower Man” and “Virtuosity,” will direct the supernatural feature film “Elijah,” based on the Old Testament prophet.

The project is set up at Winter State Entertainment. Producers are Hamid and Camille Torabpour, Jhene Chase, Mark Smith and Patrick Werksma. The screenplay is by Hamid Torabpour and Andrew Kightlinger.

“The tremendous human and spiritual journey at the core of the epic Biblical story of ‘Elijah’ provides the ultimate canvas for my passion to explore the connection between cinematic and immersive storytelling,” Leonard said.

Winter State plans to kick off a biblical film universe with “Elijah,” which will be followed by “Elijah Part 2.” “The Lawnmower Man,” budgeted at $6 million, featured leading-edge technology and grossed over $150 million worldwide.

French Fries

Zero Point Zero,
See full article at Variety - Film News »

SAG-aftra Commercial Negotiations Set for February

With no fanfare, SAG-AFTRA and the ad industry have set a mid-February start for negotiations for a successor deal to the union’s master contract, Variety has learned.

The current three-year deal — which covers about $1 billion in annual earnings — expires on March 31. SAG-aftra and the Joint Policy Committee of the ad industry plan to hold the negotiations in New York City.

Reps for the union did not respond to a request for comment and the ad industry’s lead negotiator Stacy K. Marcus of the firm Reed Smith said, “The Jpc and SAG-aftra have agreed to a media blackout.”

The Joint Policy Committee recommended in October — as it has in the past — that ad agencies and advertisers plan for a possible strike by re-scheduling production planned for April through June to a date prior to March 31.

“The industry remains optimistic that we will have a successful conclusion to these negotiations without disruption,
See full article at Variety - Film News »
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