The movie, penned by “Mudbound” screenwriter Virgin Williams, is based on the true story of Pulitzer Prize winning journalist Dana Canedy’s love affair with First Sergeant Charles Monroe King. King kept a journal full of poignant life lessons for their newborn son, Jordan, while deployed overseas. He was killed in Iraq in 2006 when Jordan was just seven months old, but his spirit lives on in his messages of love to Dana and Jordan.
Jordan will also produce through his Outlier Society banner, while Washington and Escape Artist’s Todd Black, Jason Blumenthal, and Steve Tisch will also produce.
Jordan garnered critical acclaim for portraying the tormented villain Erik Killmonger in “Black Panther,” the first Marvel movie to score a best picture Oscar nomination. He most recently starred in “Creed II,
Thomas Bezucha (“The Family Stone”) is set to direct his own screenplay, based on Larry Watson’s novel of the same name. Paula Mazur and Mitchell Kaplan of the Mazur Kaplan Company will produce alongside Bezucha. Costner will executive produce with Kimi Armstrong Stein, Jeffrey Lampert, and Rod Lake.
Production of “Let Him Go” is expected to start in the spring.
Focus Features and Universal Pictures International will distribute the film worldwide. Josh McLaughlin, Focus Features president of production, will oversee the movie.
Costner will play a retired sheriff and Lane will portray his wife. After the loss of their son, the couple leaves their Montana ranch
After a portentous prologue that hints at psychologically scarring childhood experiences at an institution referenced only as “The Home” — maybe an orphanage, maybe a reformatory — the narrative proper kicks in as Dare (Carmine Giovinazzo), a tightly wired undercover detective, and Roost (Michael Monks), a uniformed officer, are patrolling a West L.
“The Miracle of the Sargasso Sea” is the third feature by Greek director Syllas Tzoumerkas. Starring frequent Yorgos Lanthimos collaborator Angeliki Papoulia and Youla Boudali (“In the Fade”), the film will world premiere in the Berlin Film Festival’s Panorama section.
Taking its name from the mysterious region of the North Atlantic, a swirling gyre of deep-blue water bounded by four ocean currents, “The Miracle of the Sargasso Sea” is the story of two women dreaming of escape.
Their arduous emotional journey echoes a remarkable natural phenomenon, when eels in Europe and North America reaching sexual maturity leave their habitats and swim hundreds of miles to lay their eggs in the Sargasso.
Though both ceremonies have evolved alongside one another in recent years and have made similar changes, the César committees have consistently been just ahead of their American counterparts when introducing such shifts.
Take, for example, the overall number of nominees: In 2009, the Césars expanded its best picture field from five nominees to seven, predating the Oscars’ similar move by a year. The César chiefs were so pleased by this change that, in 2012, they opted to expand the categories of actor, actress and director to
Describing the 2018-19 financial year, which runs to June, as a “reset and transition to FY20,” the group presented a financial result for the six months to December that it claimed showed recovery. Revenue from continuing operations increased by 3% from A$515 million in the equivalent half year, to $375 million (A$528 million). It incurred net losses of $250,000.
Village said that it will seek a new CEO to replace Burke, and that Burke will stay with the company until the end of 2019, as a non-executive director to ensure a smooth transition. It acknowledged that Clark Kirby, chairman and CEO of Village’s theme parks business, is to be considered as an internal candidate.
Burke, now 77, joined the
Mark Ronson fiddles with the lead that connects his phone to the hotel room speaker. He presses play and rushes out, reappearing when the last notes die away. That’s really good, I tell him, because it is. The song he plays is the title track from his forthcoming album, Late Night Feelings, and it pulls off the old disco trick of sounding simultaneously euphoric and yearning. The track packs the kind of chorus – sung by Lykke Li – that you suspect is going to be inescapable for the rest of the year. He nods. “I think these are my best …” He trails off and rolls his eyes. “Well, of course I’m going to sit in front of you and say something like that.
You would need a heart of stone to hear the late soul singer Teddy Pendergrass without being thrilled – or hear of his personal ordeal without being moved. This documentary tells his story respectfully and in detail, but something doesn’t quite work.
Having started with Harold Melvin and the Blue Notes, Pendergrass left that band in 1977 and embarked on a staggering solo career, earning a string of platinum discs: an impossibly handsome, virile man with a rich and sensuous voice. Then a car accident in 1982 left him quadriplegic. A therapist talked him out of ending his own life, helped by his children and his formidable churchgoing mother, and Pendergrass came back with more hit records and a moving appearance at Live Aid in Philadelphia,
How’s your health?
“That Sugar Film” was four years ago. Fortunately, there’s no lasting liver damage.
Where did the idea for this visual letter to your daughter come from?
I wanted to explore what the future could look like by the year 2040 if we simply embraced the best solutions already available to us. The aim was to shift things away from the mainstream narrative,
The WGA made the disclosure Thursday night in an email to its 12,000 members, a day after announcing that it will hold a March 25 vote on the new rules — which would effectively end all packaging deals, in which agencies receive both upfront and backend fees, and bar agencies from any financial interest in any entity or individual “engaged in the production or distribution of motion pictures.”
The guild is in the midst of intense negotiations with the Association of Talent Agents to renew the WGA’s 42-year-old agency franchise agreement that allows signatory agencies to represent WGA members. The current franchise agreement expires on April 6 — and the WGA has made it clear that the guild wants members to cut ties with
Doug Jones doesn’t like to know what’s coming next for his characters. “I’m a one-week-at-a-time guy. If I know too much ahead… I don’t want that to inform how I play the scene today,” he said.
But after the dramatic events of “Star Trek: Discovery” Season 2 Episode 4, “An Obol for Charon,” Jones suspected that the writers would loop back around to Saru, who went through a near-death experience that had social media on red alert.
“We really had people duped into thinking that was my swan song — that was going to be the end of Saru, which I thought was beautifully played by the writers and the editing,” Jones said. “The timing of that episode was just perfect, the way it played out. It really was a surprise when it’s like, ‘Nope. I don’t have to die after all.
The post Superhero Bits: Captain Marvel is Coming to Future Fight, Alex Ross Remakes Detective Comics #27 & More appeared first on /Film.
The French native, already a two-time Oscar winner (for 2014’s “Grand Budapest Hotel” and 2017’s “The Shape of Water”), is nominated this year for his Japanese-flavored score for Wes Anderson’s “Isle of Dogs.”
Life imitated art recently while Desplat was writing a 75-minute opera that will debut on Tuesday in Luxembourg. It is titled “Silence,” based on a short story by Japanese author Yasunari Kawabata, in which the author visits another writer who can no longer speak.
During the composition process, Desplat was also finding it difficult to speak, and physicians advised him to have “a surgical procedure to repair his vocal cords,” the rep said. “He had the procedure, has successfully recuperated, and has regained full use of his vocal cords.”
Us films get only scattered new openings in the international marketplace this weekend, as local blockbuster The Wandering Earth continues to dominate in China and audiences in many regions focus their attention on coverage of Hollywood’s Oscar celebrations.
Alita: Battle Angel, last weekend’s leading Us film domestically and internationally, will test its muscle against The Wandering Angel when it opens in China and Japan on Friday (February 22). As of Tuesday (19), the sci-fi action adventure had amassed $104.7m internationally through Fox International.
Terence Nance, creator of the HBO show “Random Acts of Flyness,” is directing the sequel. His credits include “An Oversimplification of Her Beauty,” “Swimming in Your Skin Again,” and “Univitellin.” The movie marks James’ first major acting role. He played himself in the 2015 Amy Schumer-Bill Hader comedy “Trainwreck.”
Rumors of a “Space Jam” follow-up first emerged in 2015 when James and his company, SpringHill Entertainment, signed a deal with Warner Bros. Justin Lin was in talks to direct in 2016, but that deal did not go through. Lin is an executive producer on the movie.
Michael Jordan teamed up with Bugs Bunny and the rest of the Looney Tunes characters in 1996’s “Space Jam,” which grossed $230 million worldwide. The cast included NBA stars Larry Bird, Charles Barkley, and Patrick Ewing, and
The post Michael B. Jordan Will Star in ‘Journal for Jordan’ For Director Denzel Washington appeared first on /Film.
The post Sequel Bits: ‘Jumanji 3′, Bill & Ted 3’, ‘Hobbs and Shaw’, ‘Jay and Silent Bob’ Reboot,’ ‘Bumblebee’ & More appeared first on /Film.
“Game of Thrones” and “Star Wars: The Last Jedi” star Gwendoline Christie has joined the cast of “The Friend” starring Jason Segel, Dakota Johnson, and Casey Affleck.
Gabriela Cowperthwaite is directing from a screenplay by Brad Ingelsby, based on Matthew Teague’s story about Nicole Teague and himself learning that Nicole had six months to live and receiving the unexpected support of their best friend, played by Segel. Johnson and Affleck are portraying the Teagues.
Scott Free and Black Bear Pictures are producing the project, which has begun shooting on location in Fairhope, Ala. — the town where the Teague family resided. Additional cast members are Jake Owen, Denee Benton, Marielle Scott, Ahna O’Reilly, Isabella Kai Rice,
The post Already Stacked ‘The Devil All the Time’ Cast Somehow Finds Room For Haley Bennett, Jason Clarke and Riley Keough appeared first on /Film.
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.