Sony’s “Venom” secured the No. 1 spot abroad with $32 million from 65 markets, taking its international total to $290.7 million. It earned $18.1 million in North America for a worldwide total of $460.2 million.
Meanwhile, Warner Bros.’ “A Star Is Born” continues to do monster business of its own. The acclaimed musical drama starring Bradley Cooper and Lady Gaga generated an impressive $22.8 million from 75 overseas markets, bringing its tally to $74.7 million overseas and $201 million globally. “A Star Is Born” opened in Australia with $4.7 million in 536 venues, as well as Hong Kong with $629,000 in 58 locations. Top holdovers include the United Kingdom ($3.9 million on 846 screens), Italy ($1.5 million on 614 screens), and France ($1.5 million on 353 screens). It debuts next in Japan on Dec. 21.
Though Universal’s “Halloween” topped the domestic box office,
SEEWill Emmy winners Claire Foy and Regina King go head-to-head at 2019 Oscars as Best Supporting Actress?
“The Favourite” star Olivia Colman has been the subject of the classic, “Is she lead or is she supporting?” debates, for her highly acclaimed performance as Queen Anne. While Colman was being predicted by many
The post Theme Park Bits: ‘Toy Story’ Land Christmas, Rumored Opening Date for ‘Star Wars:’ Galaxy’s Edge in Florida appeared first on /Film.
Saudi Foreign Minister Adel al-Jubeir, speaking to Fox News in the U.S., said Sunday that Khashoggi, 59, died in a “rogue operation,” in which “individuals ended up exceeding the authorities and responsibilities they had.”
Seeking to shield the crown prince, who is effectively in charge of running Saudi Arabia, from the international outrage sparked by Khashoggi’s disappearance and death, al-Jubeir called the killing a “huge and grave mistake” and said those involved in the consulate tried to cover it up.
“We are determined to uncover every stone, we are determined to find out all the facts, and we are determined to punish those who are responsible for this murder,
The post The Morning Watch: ‘Avengers: Infinity War’ 16-Bit Snappening, Making a ‘Halloween’ Murderer & More appeared first on /Film.
Pablo Trapero, the award-winning Argentinian director of The Clan will be the lead director on Patria, the first Spanish-language original series to be produced by HBO Europe, which is set to shoot in early 2019. Félix Viscarret, the Spanish director whose credits include Dreamers in 1999 and Under The Stars in 2007, will also direct some episodes.
HBO Europe has greenlit the eight-part adaptation of Fernando Aramburu’s bestselling novel about two families living through the tumultuous years of the separtist terrorism of Eta in Spanish Basque Country. The adaptation has been written
The new deals will greatly increase the ticketing footprint of Fandango’s subsidiary Fandango Latin America, giving it access to 94% of all screens in Colombia, 78% in Chile, 72% in Bolivia, and half of all screens in Mexico and Peru. The pact pushes Fandango’s global screen count to more than 45,000 worldwide and grants it access to more than half of all screens across the region. It is now the largest online ticketer in Latin America.
“It makes sense for us,” said Paul Yanover, Fandango’s president. “There’s an avid culture of moviegoing in Latin America,
RankFilm / DistributorThree-day gross (Oct 12-14) Running gross Week 1 A Star Is Born (Warner Bros) £2.9m £14.9m 3 2 Halloween (Universal) £2.7m £2.7m 1 3 Venom (Sony Pictures) £1.6m £16.7m 3 4 Johnny English Strikes Again (Universal) £1.7m £11m 3 5. Smallfoot (Warner Bros) £1.4m £4.3m 2
Today’s Gbp to Usd conversion rate - 1.30
After rising to the top of the table last week with a superb 0% drop on its opening weekend, A Star Is Born was at it again this weekend, dropping a negligible 6.5% with £2.9m to remain top.
That result takes it to £14.9m to date,
Vue International has agreed to acquire German cinema group CineStar in a deal that could be worth €221.8m ($254m).
The acquisition of CineStar’s 57 multiplex sites with 449 screens is the largest in Vue’s history. The circuit will be acquired from Australia’s Event Hospitality & Entertainment Limited (Evt).
The deal, for an upfront payment of €130m ($149m) and variable consideration of up to €91.8m ($105m), is Vue’s third in 2018 following the acquisition of Cinema3D in Poland and Showtime Cinemas in Ireland.
The transaction will be financed from existing cash resources and €114m
The third week of October (Oct 15-21) failed to provide any reprieve to the Chinese box office as it turned out to be the second quietest week in 2018, with a 25% drop week-on-week.
It is the second consecutive week-on-week decline following a disappointing weeklong National Day holiday when ticket sales dropped by 27.5% from the same period in 2017. October will probably end up as a month of negative growth.
Without strong contenders, Hong Kong crime thriller Project Gutenberg scored a hat trick, topping the weekly chart three times in a row. The National
Amid this season’s Halloween horror movies, it is alarming to find Utøya: July 22, a Norwegian-made account of the 2011 massacre in which Anders Breivik killed 77 young people and injured many more. The film picks out one of those young people, Kaja, and follows her through its 72 minutes in one frantic, unbroken take. Kaja – who keeps her head and thinks of others – would make a decent slasher-movie heroine. There is one unbearably tense moment when she cowers in a tent listening to the killer stalking outside that brings to mind The Blair Witch Project. There’s also an ill-judged “twist”.
Utøya: July 22 is not supposed to be read as a horror movie: the film is based on true survivors’ accounts. The real-time format and handheld cameras give it a war-reportage urgency, but it is not really a docudrama,
The deal includes a variable of up to €91.8 million ($105.7 million), and sets CineStar’s potential enterprise value at €221.8 million ($255.58 million).
Currently owned by Australian company Event Hospitality & Entertainment Limited (Evt), CineStar boasts 57 premium multiplex sites (55 of which are in operation and two which are new sites opening in late 2018 and mid-2019), with 449 screens. The chain has a strong presence in Germany’s rural areas, as well as in Berlin, where it has seven cinemas, including the Cubix at Alexanderplatz.
Tim Richards, Vue International’s founder and CEO, said in a statement that it marks Vue’s “third international acquisition this year and further reinforces [Vue’s] commitment to international expansion….
“Germany is an extremely important cinema market and is consistently in the top 10 box-office markets in the world.
“We still don’t generate the big announcements like Mipcom,” said market director Lucia Milazzotto, but, she added “we are growing.” Milazzotto boasted that for its fourth edition the new concept Mia event, created to put Italy back on the markets map, attracted a big rise in U.S. attendees across all sectors, “which means more buyers, and more commissioning editors,” came lured by “the cream of the European crop.”
The American contingent at Mia comprised Anonymous Content chief Paul Green, Oscar-winning multi-hyphenate Bryan Fogel (“Icarus”), Sony Pictures Entertainment Senior VP Katrhyn Busby, “Narcos” show-runner Chris Brancato, and “Bridesmaids” and “Ghostbusters” director Paul Feig. Besides coming to do business,
“Saare Jahaan Se Achcha,” to be directed by Mahesh Mathai (“Bhopal Express”), and written by Anjum Rajabali is a biopic of Rakesh Sharma, the first Indian in space. An A-list cast will be announced by the end of the year ahead of a production start in February. The film is a co-production with Ronnie Screwvala’s RSVP.
Vinil Mathew (“Hasee Toh Phasee”) will direct “Sinbad,” a thriller inspired by merchant navy officer Audumbar Bhoi, whose ship was attacked by Somali pirates, from a script by Sudip Sharma (“NH10”). Casting is underway.
In 2019, Sooni Taraporewala (“Little Zizou”) will direct “Ballet Boys.” The fact-based story follows two Mumbai slum boys, one a Hindu and the other Muslim, who shoot to global prominence after being discovered by an Israeli dance instructor.
Korean drama, “Dark Figure of Crime” slipped to second from the previous weekend’s top spot. The Showbox release earned $2.46 million from 311,600 admissions between Friday and Sunday for a total of $26.4 million after three weekends on release.
Sony’s “Venom” took third place, earning $1.88 million between Friday and Sunday. That gave it a three-weekend total of $28.6 million from 3.67 million admissions.
Incurring only a modest week-on-week drop of 11%, Korean drama “Miss Baek” took fourth. The Little Big Pictures release earned $1.13 million between Friday and Sunday for a total of $3.45 million after two weekends.
“A Star is Born” slipped to fifth from the previous weekend’s fourth. The Warner Bros. title earned $470,000 for $2.09 million after two weekends. Walt Disney’s
It’s been a long time since I last checked in on Shudder, the £4-a-month streaming service dedicated to horror, suspense and the generally creepy. Much as I enjoy the odd fright night, there is no genre to which I subscribe quite so literally. But with the nights drawing in and the burning scent of Halloween on the cooling breeze, it seemed an apt time to return. We’re never likelier to chain-watch horror films than in October, and Shudder certainly makes a breeze out of spooky seasonal playlisting.
I returned to find it a little beefier than I remembered, with its menu of films and series healthily expanded and the addition of Shudder TV – multiple channels of pre-selected programming for that rarest of geeks, the undiscriminating genre obsessive.
The actor Geoffrey Rush has told a defamation trial that he was made to look like a “criminal” by a front-page story headlined “King Leer”, a story he said made him feel “sick to my stomach”.
Rush appeared on the first day of his two-week trial against Sydney’s Daily Telegraph on Monday, saying the stories had sent him into an “emotional spiral”.
Man Is The True Monster
Last week, we saw that Maggie was capable of handling the burdens of leadership; while she may have had a knee-jerk reaction in jailing Earl and denying Sanctuary food, she ultimately did the right thing in freeing Earl and sharing Hilltop’s stores. But her deeply-held anger for the Saviors in general and Negan in particular have not gone away, as the chilling climax of “Warning Signs” makes clear.
The mystery of the missing Saviors is definitively answered this episode, as it’s revealed that Cyndie and the other Oceansiders are the culprits. Their targets haven’t been random — they’ve been disappearing the survivors of Simon’s crew, the ones who executed the men of Oceanside. It’s nice that the revelation isn’t drawn out (most TV shows these days could use more brevity in their
The cumulative total of the top 10 films amounted to just $41.2 million, according to data from Ent Group. That is the second lowest weekend this year.
The slump has followed new regulations that limit distributors’ ability to buy their own tickets to give the appearance of success, and that cap the fees charged by online ticketing companies. Both measures may have the effect of removing distortions and reveal data that presents a truer picture of theatrical demand.
The latest six-week slump may also reflect problems on the supply side. A growing number of commentators have identified a flow of weak films that have little novelty or particular appeal. Box office got a temporary boost at the Mid-Autumn Festival, but the score was more than 20% down on
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