Pepe de la Rosa(I)

Cinematographer by ESCAC. He started his career working in advertising camera and lighting equipment for brands like Bershka, H&M, or Donuts, among others; as well as in fiction, for directors like Kike Maíllo or Álvaro de Armiñán. After his first feature film "House of Sweat and Tears" (Sonia Escolano, 2018), that was selected at Frontières Platform in Cannes 2018 and Austin Fantastic Fest, among other international festivals, he filmed his second fiction feature film, "Amanece" (Juan Francisco Viruega, 2022) and it's in the post-production phase. He has made more than twenty short films as cinematographer, among which are "They call me Owl" (Irene Garcés, 2013) nominated for its photography in Camerimage (Poland), "There was a place" (Irene Garcés, 2016) nominated at Terre di Cinema Cinematographers Days (Italy), among others, "Yo, Monstruo" (Paco Ruiz, 2018) selected at the 16th Seville European Film Festival, or "When the letter arrives" (Irene Garcés, 2021). He has also photographed music videos for music artists like Daryl Hockin or Castora Herz, and commercials for brands like Reebok, Macson, OutsiderDivision or Polti, as well as the documentaries "Titanes" (Blas Egea, 2021) and "El peso de la Ausencia" (Alberto Gómez Uriol, in post-production).