Jordi Rabascall
- Sound Department
- Composer
- Music Department
In 1994 he entered the world of sound from the musical composition and experimentation of the hand of electronic music with an underground home studio. With the advent of music computing, sound production becomes an invaluable and affordable tool to capture emotions and moods by combining analog recordings and digital synthesis. All this comes together in his first short film as a composer, Fòbia (directed by Carme Puche), a raw work, with little editing recorded in real time. The musical composition is transformed into soundscapes and direct sound recording for commercial commissions by the producer Estudi Puche S.L. in the exhibition world and audiovisual production. This global vision of the sound disciplines (recording of sound on location, production and musical composition) materialize his later projects with the eyes of the sound designer, responsible in all phases of sound.
It is this "creative control" that takes Camille (director Carme Puche), presented at the Sitges Festival in 2011, a work where direct sound, musical composition and sound landscapes are one, at the same level. In this project he learns to work with the director and the artistic team, a fundamental key to achieve the soul of the script in everything that is "sound".
The contact with the producer Aved PAPC offers the possibility of working with new creators and film projects focused on social and fiction. Fruit of this union arise Yuri's Omen (Sitges 2012) and El Pequeño Zahorí, two projects between science fiction and landscape costumbrism.
From the short films we jump to the great project, The Jump! WTF Experience, a long-distance musical documentary: a year of direct sound recordings in Barcelona and Florida, a year of post-production and sound mixing in the new Dolby Atmos format. This project was a pioneer in Spain, of the first musical documentaries to be mixed in this sound format. A preproduction study 11.1 was set up to prepare the sessions and finish the work in the only certified study in Spain. The experience, exciting.
Between 2015 and 2017 he works with the directors Carme Puche (Ferrying Fee, La Odissea, La Part Que Falta, La Benvinguda) and Gonzalo López (Dolorosa Gioia), Xavier Martínez Soler (Un Trabajo y una Película) and Violeta Barca- Fontana (Pieces of New York); these last two fiction feature films in 5.1 format and a docufiction feature film.
It is this "creative control" that takes Camille (director Carme Puche), presented at the Sitges Festival in 2011, a work where direct sound, musical composition and sound landscapes are one, at the same level. In this project he learns to work with the director and the artistic team, a fundamental key to achieve the soul of the script in everything that is "sound".
The contact with the producer Aved PAPC offers the possibility of working with new creators and film projects focused on social and fiction. Fruit of this union arise Yuri's Omen (Sitges 2012) and El Pequeño Zahorí, two projects between science fiction and landscape costumbrism.
From the short films we jump to the great project, The Jump! WTF Experience, a long-distance musical documentary: a year of direct sound recordings in Barcelona and Florida, a year of post-production and sound mixing in the new Dolby Atmos format. This project was a pioneer in Spain, of the first musical documentaries to be mixed in this sound format. A preproduction study 11.1 was set up to prepare the sessions and finish the work in the only certified study in Spain. The experience, exciting.
Between 2015 and 2017 he works with the directors Carme Puche (Ferrying Fee, La Odissea, La Part Que Falta, La Benvinguda) and Gonzalo López (Dolorosa Gioia), Xavier Martínez Soler (Un Trabajo y una Película) and Violeta Barca- Fontana (Pieces of New York); these last two fiction feature films in 5.1 format and a docufiction feature film.
