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John-Michael Damato

John-Michael Damato was born in Chicago, Illinois. At a young age, he began experimenting with his grandfather's silent Super 8mm camera making short films, later advancing to Super 16mm while attending college. John-Michael has since gone on to associate produce the critically acclaimed "Listen to Your Heart", starring Cybill Shepherd. Recently ... See full bio »

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Known For

Potters Ground Director
Merciless Road Director
I'll Be Around Director
Let'er Blow Director


Hide Hide Show Show Miscellaneous Crew (6 credits)
 2015/I The Challenger (fight choreography)
 2012 The Eves (key set production assistant)
 2010-2011 Big Time Rush (TV Series) (production assistant - 9 episodes)
- Music Sounds Better with U (2011) ... (production assistant)
- Big Time Reality (2011) ... (production assistant)
- Big Time Beach Party: Part 2 (2011) ... (production assistant)
- Big Time Beach Party: Part 1 (2011) ... (production assistant)
- Big Time Pranks (2010) ... (production assistant)
 2011 The Event (TV Series) (production assistant - 12 episodes)
- Arrival (2011) ... (production assistant)
- The Beginning of the End (2011) ... (production assistant)
- One Will Live, One Will Die (2011) ... (production assistant)
- Us or Them (2011) ... (production assistant)
- Strain (2011) ... (production assistant)
 2010 Listen to Your Heart (production assistant)
 2009 Alien Trespass (production assistant)
Show Show Director (6 credits)
Show Show Producer (5 credits)
Show Show Writer (4 credits)
Show Show Second Unit Director or Assistant Director (2 credits)
Show Show Actor (1 credit)
Show Show Cinematographer (1 credit)
Show Show Art department (1 credit)
Show Show Casting department (1 credit)
Show Show Production designer (1 credit)

Personal Details

Other Works:

Set Dresser for Diane Keaton L'Oreal TV commercial.


5' 11" (1.8 m)

Did You Know?


Worked simultaneously as a production assistant, as well as a featured background artist on both "The Dark Knight" (2008) and "The Express" (2008) - Often completing a full days work on one set, only to begin night shoots on another, with little more than an hour of downtime in-between. See more »



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