Tim Vogel(II)
- Editor
- Director
- Producer
DGA / EGA / MPEG / ACE Qualified
Over 40 years of audio/visual industry experience, he is always on the cutting edge of the constant changing technology and how to best embed it into client productions.
A "production hybrid", Tim has done about everything you can think of when it comes to production work; from production assistant to grip and director, this experience is vital to the total understanding of the production process.
His skill sets in the creative and production process are extensive and experienced. He is just as comfortable on a set as he is in the edit suite. Tim has worked as a PA, Grip, and Gaffer and is also an accomplished DoP. He knows his way around the camera department and he can anticipate any department's needs before they arise. With a very strong level of attention to detail and a very strong work ethic Tim brings a lot of creative hands-on experience to any level of any production be it a local TV commercial to industrials and film sets.
Vogel started out in radio at the age of 13. He is a seasoned radio broadcast and video production veteran with over 4,500 commercials, scores of long form projects, and a number of short and feature films under his belt, including Editor on the feature films "Susie's Hope", "Trinity Goodheart", "Father Africa", and VFX and titles work on Michael Landon, Jr's "The Shunning", "The Confession," and "The Ultimate Life."
Vogel has won multiple Telly Awards since Dec. 2012, a silver Telly for the Editor on "Trinity Goodheart", a silver for Editor on the short film "Lost and Found," two bronze Tellys for Editor and Cinematographer on the short film "I'm Sorry", a bronze for Editor on the film trailer "Wednesday's At The Gem" and another bronze for Editor on the film trailer "Susie's Hope". The short film "I'm Sorry" has received several other industry awards including a nomination for "Best Short Documentary" at the New York City International Film Festival in Feb. 2013.He is related to award winning industry Production Designer, John Shaffner John Shaffner.
Over 40 years of audio/visual industry experience, he is always on the cutting edge of the constant changing technology and how to best embed it into client productions.
A "production hybrid", Tim has done about everything you can think of when it comes to production work; from production assistant to grip and director, this experience is vital to the total understanding of the production process.
His skill sets in the creative and production process are extensive and experienced. He is just as comfortable on a set as he is in the edit suite. Tim has worked as a PA, Grip, and Gaffer and is also an accomplished DoP. He knows his way around the camera department and he can anticipate any department's needs before they arise. With a very strong level of attention to detail and a very strong work ethic Tim brings a lot of creative hands-on experience to any level of any production be it a local TV commercial to industrials and film sets.
Vogel started out in radio at the age of 13. He is a seasoned radio broadcast and video production veteran with over 4,500 commercials, scores of long form projects, and a number of short and feature films under his belt, including Editor on the feature films "Susie's Hope", "Trinity Goodheart", "Father Africa", and VFX and titles work on Michael Landon, Jr's "The Shunning", "The Confession," and "The Ultimate Life."
Vogel has won multiple Telly Awards since Dec. 2012, a silver Telly for the Editor on "Trinity Goodheart", a silver for Editor on the short film "Lost and Found," two bronze Tellys for Editor and Cinematographer on the short film "I'm Sorry", a bronze for Editor on the film trailer "Wednesday's At The Gem" and another bronze for Editor on the film trailer "Susie's Hope". The short film "I'm Sorry" has received several other industry awards including a nomination for "Best Short Documentary" at the New York City International Film Festival in Feb. 2013.He is related to award winning industry Production Designer, John Shaffner John Shaffner.
