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Susan Scott (VII)

Susan Scott is a documentary filmmaker. Prior to her directing work she was a film editor for nearly twenty years. Susan started her career in the United States as an assistant editor for an A.C.E. editor in Washington DC right after graduation from Baylor University in Texas. Susan was drawn to documentaries early on her career and went on to ... See full bio »

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8 wins & 5 nominations. See more awards »

Known For


Hide Hide Show Show Editor (22 credits)
 2013 Rescue of a Snared African Wild Dog (Video documentary short) (completed)
 2016 Rhino Blog (TV Series)
 2013-2014 50/50 (TV Series) (2 episodes)
- Rhino orphans (2014)
 2013 Big Cat Week (TV Series documentary) (1 episode)
- Game of Lions (2013)
 2012 Big Cat Week Collection (TV Series) (1 episode)
 2012 Kruger's Wild Dogs (TV Movie)
 2011 The Last Lions (Documentary)
 2010 Running with Wolves (TV Movie documentary)
 2009 Mother Warthog (TV Movie documentary)
 2008 Dolphin Army (TV Movie documentary)
 2008 Nature Untamed (TV Series documentary) (1 episode)
- Dolphin Army (2008)
 2007 Hippo Hell (TV Movie documentary)
 2007 Lions of Crocodile River (TV Movie documentary)
 2006 Wild (TV Series documentary) (1 episode)
- Deadly Summer (2006)
 2004 Valley of the Golden Baboon (Documentary)
 2004 The Luangwa Troop (TV Movie documentary)
 2003 Five Weddings and a Couple of Funerals (TV Series documentary)
 2003 The Rite Stuff (TV Series documentary)
 2001 Red October (TV Movie documentary)
 2001 Biblical Mysteries: Ark of the Covenant (TV Movie documentary)
 2000 Treasures of the Royal Captain (TV Movie documentary)
Show Show Editorial department (5 credits)
Show Show Producer (7 credits)
Show Show Director (5 credits)
Show Show Cinematographer (5 credits)
Show Show Sound department (3 credits)
Show Show Writer (1 credit)

Personal Details

Official Sites:

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Did You Know?

Personal Quote:

I used to want desperately to be a classical 'no-dissolves' kind of editor. But I don't think there is a style that any one editor can have... it comes from the project itself. What might happen is that you might be more drawn to cutting on a traditionally shot film that say doesn't need frantic, choppy cuts to set the tension. Or you might find the brief a director gives you of a snappy, effects... See more »

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