When Templeheart gave me the script of Heretiks (although it was a different title at the time), the one thing that really grabbed my interest was the opportunity to do a creepy period horror, set in 17th Century England. I’d already shot a war-set film, a contemporary werewolf film and here was an opportunity to do a film set in the 17th century where young girls were put on trial for witchcraft, of which some were drowned, hanged and so much worse. It was a truly dark and fearful time in the history of England, one that I was keen to portray on screen, and adding to that a supernatural element, was hard to resist.
What did you and your Seasoning House co-writer Conal Palmer bring to the final screenplay?
Conal and I did an extensive rewrite, as I remember,