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[on adapting to the American style of film-making, while doing 'The Voices'] The biggest transition is that in Europe the director has the final cut. There is no discussion, that is the law... it belongs to us, which I think is a very good thing because I don't know who, besides the director, can know what decisions to take. They don't discuss it with others, and discussing ideas is good. There ...
Lives in the Marais district of Paris with her Swedish husband.