With astonishing processing power and top-notch teams that know how to create high-end visual effects on a tight budget and timeline, vfx artists routinely turn in shots that thrill TV audiences. But visual effects must also support story and characters in invisible ways. And there’s even resistance to becoming a show known for its effects.
“They didn’t want this to be a vfx-driven show,” says Paul Graff, senior visual-effects producer for Netflix’s “Stranger Things” and a four-time Emmy winner. “They wanted vfx that were about the story, which is one that has things like monsters in it.”
Some of the most resonant effects just make things look slightly askew.
“We were told to make the sun just a little bigger than normal and I think this had an effect when people are looking at it they’ll sense something is off but not be sure exactly what
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“They didn’t want this to be a vfx-driven show,” says Paul Graff, senior visual-effects producer for Netflix’s “Stranger Things” and a four-time Emmy winner. “They wanted vfx that were about the story, which is one that has things like monsters in it.”
Some of the most resonant effects just make things look slightly askew.
“We were told to make the sun just a little bigger than normal and I think this had an effect when people are looking at it they’ll sense something is off but not be sure exactly what