With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon Instant Video, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Ant-Man (Peyton Reed)
Having continually proven that they can repackage the same general structure and archetypes into their cinematic universe for increasing box-office returns, Marvel’s impetus to think completely outside the box is not strong. With varying creative results, Guardians of the Galaxy proved that the right ingredients in the formula can result in an entertaining ride, while the over-stuffed Age of Ultron did little more then exhaust.
Ant-Man (Peyton Reed)
Having continually proven that they can repackage the same general structure and archetypes into their cinematic universe for increasing box-office returns, Marvel’s impetus to think completely outside the box is not strong. With varying creative results, Guardians of the Galaxy proved that the right ingredients in the formula can result in an entertaining ride, while the over-stuffed Age of Ultron did little more then exhaust.
- 11/20/2015
- by TFS Staff
- The Film Stage
Family Matters: Wolfe’s Unsettling Debut a Thriller with a Mean Streak
Premiering in the Directors’ Fortnight sidebar at the 2014 Cannes Film Festival, director Daniel Wolfe’s directorial debut, Catch Me Daddy, is most likely to inspire awe or ire as a denuded genre thriller, pared down to the barest essentials of abject miserabilism. There’s no one to innately empathize with, beyond being exposed to a central victim whom we must logically root for given her ambitious rebellion against the patriarchal straightjacket she was weaned from. Unfolding with methodical calm, the first time filmmaker manages to instill a mounting dread thanks to surprising, even shocking moments of gruesome violence, and that’s despite its lack of emotional posturing. Down and out working class folks thrust into dire straits is the name of the game here, and though a bit of additional context would’ve enhanced the basic premise,...
Premiering in the Directors’ Fortnight sidebar at the 2014 Cannes Film Festival, director Daniel Wolfe’s directorial debut, Catch Me Daddy, is most likely to inspire awe or ire as a denuded genre thriller, pared down to the barest essentials of abject miserabilism. There’s no one to innately empathize with, beyond being exposed to a central victim whom we must logically root for given her ambitious rebellion against the patriarchal straightjacket she was weaned from. Unfolding with methodical calm, the first time filmmaker manages to instill a mounting dread thanks to surprising, even shocking moments of gruesome violence, and that’s despite its lack of emotional posturing. Down and out working class folks thrust into dire straits is the name of the game here, and though a bit of additional context would’ve enhanced the basic premise,...
- 8/7/2015
- by Nicholas Bell
- IONCINEMA.com
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