Weissa G
- Composer
- Music Department
Weissa G is a Malaysian film composer who finds joy in shaping stories through sound. Whether working on feature films like Takluk: Lahad Datu(2024) and Money Games (2025) or crafting music for short films such as Memorhythm, Poseiden, and Hear the Silence, she is always searching for the perfect sonic identity to bring a film to life.
Her love for exploring unique textures and sounds drives her creative process, making each score a deep collaboration between music and storytelling. She believes that every film has its own sonic fingerprint-a distinct voice waiting to be uncovered. By blending organic and electronic elements, experimenting with unconventional instrumentation, and shaping sounds to match a film's emotional depth, Weissa crafts scores that don't just accompany the visuals, but become an inseparable part of the storytelling experience. In 2024, she was part of the Top 10 selection at Berlin International Film Scoring Competition (BIFSC), an experience that further fueled her passion for film scoring.
Beyond cinema, Weissa has composed for numerous commercial projects-though often uncredited-shaping the sound of brands through her work. Whether it's for film, animation, or advertising, she believes that music isn't just about what you hear-it's about what you feel.
Her love for exploring unique textures and sounds drives her creative process, making each score a deep collaboration between music and storytelling. She believes that every film has its own sonic fingerprint-a distinct voice waiting to be uncovered. By blending organic and electronic elements, experimenting with unconventional instrumentation, and shaping sounds to match a film's emotional depth, Weissa crafts scores that don't just accompany the visuals, but become an inseparable part of the storytelling experience. In 2024, she was part of the Top 10 selection at Berlin International Film Scoring Competition (BIFSC), an experience that further fueled her passion for film scoring.
Beyond cinema, Weissa has composed for numerous commercial projects-though often uncredited-shaping the sound of brands through her work. Whether it's for film, animation, or advertising, she believes that music isn't just about what you hear-it's about what you feel.
