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Dawn Shadforth

Dawn Shadforth was born in 1973 in Essex, England. She is a director and writer, known for The Big Day (2018), 10 Minute Tales (2009) and Camel (2015). See full bio »
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1 win. See more awards »

Known For

The Big Day Director
(2018)
10 Minute Tales Director
(2009)
Camel Director
(2015)

Filmography

Hide Hide Show Show Director (27 credits)
 2019 His Dark Materials (TV Series) (1 episode) (post-production)
 2018 Trust (TV Series) (2 episodes)
- Silenzio (2018)
 2018/I The Big Day (Short)
 2015 Hurts: Wings (Video short)
 2015 Hurts: Lights (Video short)
 2015 Camel (Short) (attached)
 2014 Kylie Minogue: Into the Blue (Video short)
 2009 10 Minute Tales (TV Series) (1 episode)
- Ding Dong (2009)
 2007 Kylie Minogue: 2 Hearts (Video short)
 2007 Absolute Garbage (Video) (video "Special")
 2005 The Medúlla Videos (Video short) (video "Who Is It?")
 2005/II Oasis: The Importance of Being Idle (Video short)
 2004 Björk: Who Is It (Video short)
 2004 Kylie Minogue: Chocolate (Video short)
 2002 Sugababes: Freak like Me (Video short)
 2002 Kylie Minogue: In Your Eyes (Video short)
 2001 Jamiroquai: You Give Me Something (Video short)
 2000 Kylie Minogue: Spinning Around (Video short) (uncredited)
 2000 Geri Halliwell (Short)
 1999 Jamiroquai: King for a Day (Video short)
 1998 Garbage: Special (Video short)
Show Show Writer (2 credits)
Show Show Camera and Electrical Department (1 credit)
Show Show Editor (1 credit)
Show Show Self (5 credits)

Related Videos

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Personal Details

Other Works:

Peaches feat Iggy Pop - Kick It See more »
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Did You Know?

Personal Quote:

[Talking about editing all her own work, which is rare in the music video business] I've always done it, right from the word go. I find it impossible to communicate to somebody - it's just something that doesn't go through your conscious thoughts and, because it's music, it's different from cutting a story. When I have an idea, it's motivated by editing.

Trivia:

Her future-obsessed 1999 promo for Kylie Minogue's "Can't Get You Out My Head" was so suggestive and idea-rich that it provided the source material for "Words & Music", a sprawling 2004 tome on music and hyper-consumption by British journalist Paul Morley.

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