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Margaret Byrne (I)

Margaret Byrne was born on September 27, 1979 in Chicago, Illinois. She is a director, producer, and writer. Byrne directed and produced Raising Bertie, a feature documentary following the lives of three African American boys in rural North Carolina over the course of six years. Her previous credits include Emmy nominated American Promise (2012) ... See full bio »

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2 nominations. See more awards »

Known For

Raising Bertie Camera and Electrical Department
American Promise Cinematographer


Hide Hide Show Show Camera and Electrical Department (11 credits)
  Any Given Day (Documentary) (camera operator) (filming)
  When It Breaks (Documentary) (camera operator) (post-production)
 2017/V Grace (Documentary short) (camera operator) (completed)
 2018 Making a Murderer (TV Series documentary) (Additional Camera - 1 episode)
- What + Why = Who (2018) ... (Additional Camera)
 2018 My Next Guest Needs No Introduction with David Letterman (TV Series) (camera operator - 1 episode)
- It's Just Landmine Hopscotch (2018) ... (camera operator)
 2018 Generation Wealth (Documentary) (additional camera) / (camera operator)
 2016 Raising Bertie (Documentary) (additional camera)
 2015 Music in Mali: Life is Hard, Music is Good (Documentary) (additional photography) / (camera operator)
 2014 United Stuff of America (TV Series) (camera operator - 1 episode)
- Ultimate Engineering (2014) ... (camera operator)
 2014 Fault Lines (TV Series documentary) (additional photography - 1 episode)
- Wisconsin's Mining Standoff (2014) ... (additional photography)
 2010 Coming Home: The Dry Storm (Documentary short) (additional photography)
Show Show Cinematographer (6 credits)
Show Show Producer (3 credits)
Show Show Director (2 credits)
Show Show Editor (2 credits)
Show Show Editorial department (2 credits)
Show Show Writer (1 credit)

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Personal Quote:

Telling the stories of others is a privilege. In documentary filmmaking, the most remarkable part is the unique relationships you make because you are often there to witness their darkest and most triumphant moments. Whether, fiction or non-fiction, I will always make movies about real people.

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