Peter Hollander(I)
- Editor
- Visual Effects
- Production Manager
Peter is a professional editor and post-supervisor helping storytellers
in film, broadcast, cable and the internet spectrum, share their
stories. These include commercials, sizzle reels, wedisodes,
documentaries, music videos, and IMAX films and trailers.
Peter began his career as an Associate Producer, and Director of Acquisitions, for Troma, Inc.-- "Home of the Toxic Avenger".
From Troma, Peter went on to work as a VFX Coordinator on a multi-film-format visual effects project, "Secrets of the Luxor Temple", for Douglas Trumbull. Visual Effects Supervisor on the project was Joel Hynek, his assistant, John Gaeta-- both were future VFX Academy Award® winners for "What Dreams May Come", and "The Matrix", respectively.
As a Post-Production Supervisor, Peter has worked in L.A. on IMAX films for Disney, WGBH/NOVA, National Geographic, and Dreamworks.
As an editor on Final Cut Pro and Avid, Peter has edited projects for such clients as NBC, ESPN, Disney, 20th Century Fox, Discovery Channel, Lifetime, Intel, GE, Madison Square Gardens, Lindblad Expeditions, Andreessen Horowitz, USA Networks, Teen Vogue, Ben and Jerry's, Showtime, CA Technology, The Annenberg Center for Photography, Vodafone, Microsoft, Maxwell House, U.S. Postal Service, AT&T, Canon, Novartis, Novo Nordisk, Showcase.com, HP, IBM, Fidelity Investments, Bank of Boston, Staples, Lukoil, AT&T, Gillette, and the Harvard Business School.
Specialties: Final Cut Pro 7 & X, Avid, Premiere, Compressor, After Effects, Photoshop, Adobe Lightroom, Microsoft Excel.
Peter began his career as an Associate Producer, and Director of Acquisitions, for Troma, Inc.-- "Home of the Toxic Avenger".
From Troma, Peter went on to work as a VFX Coordinator on a multi-film-format visual effects project, "Secrets of the Luxor Temple", for Douglas Trumbull. Visual Effects Supervisor on the project was Joel Hynek, his assistant, John Gaeta-- both were future VFX Academy Award® winners for "What Dreams May Come", and "The Matrix", respectively.
As a Post-Production Supervisor, Peter has worked in L.A. on IMAX films for Disney, WGBH/NOVA, National Geographic, and Dreamworks.
As an editor on Final Cut Pro and Avid, Peter has edited projects for such clients as NBC, ESPN, Disney, 20th Century Fox, Discovery Channel, Lifetime, Intel, GE, Madison Square Gardens, Lindblad Expeditions, Andreessen Horowitz, USA Networks, Teen Vogue, Ben and Jerry's, Showtime, CA Technology, The Annenberg Center for Photography, Vodafone, Microsoft, Maxwell House, U.S. Postal Service, AT&T, Canon, Novartis, Novo Nordisk, Showcase.com, HP, IBM, Fidelity Investments, Bank of Boston, Staples, Lukoil, AT&T, Gillette, and the Harvard Business School.
Specialties: Final Cut Pro 7 & X, Avid, Premiere, Compressor, After Effects, Photoshop, Adobe Lightroom, Microsoft Excel.
