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Willie Williams (II)

Willie Williams was born as William Peter Charles Williams. He is known for his work on Now You See Me (2013), U2: Zoo TV Live from Sydney (1994) and U2: Rattle and Hum (1988). See full bio »

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Known For

Now You See Me Miscellaneous Crew
U2: Zoo TV Live from Sydney Production Designer
U2: Rattle and Hum Production Designer
U2: PopMart Live from Mexico City Production Designer


Hide Hide Show Show Production designer (18 credits)
 2013 Robbie Williams: Live in Tallinn (TV Special)
 2010 U2: 360 Degrees at the Rose Bowl (Video documentary)
 2009 George Michael: Live in London (Documentary)
 2007 U2 3D (Documentary)
 2004 R.E.M.: Perfect Square (Video)
 2002 U2's Beautiful Day (Video documentary)
 2001 Elevation 2001: U2 Live from Boston (Video documentary)
 1997 U2: PopMart Live from Mexico City (Documentary)
 1997 U2: A Year in Pop (TV Movie documentary)
 1996 RoadMovie (Video documentary)
 1994 U2: Zoo TV Live from Sydney (Documentary)
 1989 U2: LoveTown (TV Short documentary)
 1988 U2: Rattle and Hum (Documentary)
Show Show Visual effects (5 credits)
Show Show Miscellaneous Crew (3 credits)
Show Show Cinematographer (1 credit)
Show Show Camera and Electrical Department (1 credit)
Show Show Self (1 credit)

Personal Details

Other Works:

He has collaborated with Kronos Quartet, most notably on "Sun Rings", an evening-length multimedia production commissioned by NASA. A further collaboration, "4-Cast", premieres in May 2007. Other work in the performing arts field includes designing for the legendary Montréal based dance company La La La Human Steps, the Dublin ... See more »

Official Sites:

Official Site | Official Site | See more »

Did You Know?


Works with light and visual media to create installations and performance environments. His combination of hi-tech media and lo-tech eccentricity first received acclaim through his work with U2, particularly their "Zoo TV", "PopMart" and "Elevation" tours. Williams' work with R.E.M., David Bowie and George Michael has also been highly regarded as being both conceptually and technologically ... See more »

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