Alexander Williams

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Alexander Williams is a film animator and cartoonist, born in London, England in 1967. He was educated at Westminster School, Camberwell School of Arts and Crafts, and Merton College, Oxford, where he took a first in Modern History. He is the creator of the Queens Counsel comic strip, a satire on law and lawyers, which has appeared in the law pages... See full bio »

Born:

October 18, 1967 in London, England, UK

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Known For

The Iron Giant Animation Department

(1999)

The Lion King Animation Department

(1994)

Robots Animation Department

(2005)

Harry Potter and the Half-Blood Prince Visual Effects

(2009)

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Filmography

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Animation department (24 credits)

2014 Charlie & Yip (Short) (animator)

2010 Dinorider (Short) (animation consultant)

2010 The Fox Sisters (Short) (animation supervisor - as Alex Williams)

2010/I The Lumberjack (Short) (animation consultant)

2010 They Came from Beyond the Sun (Short) (animation consultant)

2010 Elk Hair Caddis (Short) (animation supervisor - as Alex Williams)

2010 Vegeterrible (Short) (animation supervisor - as Alex Williams)

2006 Open Season (animator)

2005 Deepo's Undersea 3D Wondershow (Short) (animation director) / (character designer)

2005 Robots (animator)

2003 Looney Tunes: Back in Action (animator)

2003 Sinbad: Legend of the Seven Seas (animator: "Sinbad")

2003 Piglet's Big Movie (key animator)

2002 Eight Crazy Nights (animator - uncredited)

2002 Spirit: Stallion of the Cimarron (supervising animator: "Cavalry")

2000 The Road to El Dorado (animator: "Tulio" - as Alex Williams)

1999 The Iron Giant (animator - as Alex Williams)

1998 Quest for Camelot (lead animator: "Ruber")

1995 Pocahontas (animator: "Ratcliffe" - uncredited)

1994 The Lion King (animator: "Scar" - as Alex Williams)

1993 The Thief and the Cobbler (lead animator - as Alex Williams)

1990 Peterchens Mondfahrt (inbetween/clean-up artist)

1990 Roller Coaster Rabbit (Short) (animator)

1988 Who Framed Roger Rabbit (assistant animator)

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Visual effects (9 credits)

2010 The Chronicles of Narnia: The Voyage of the Dawn Treader (animator)

2010 Marmaduke (animation supervisor: Cinesite)

2009 Harry Potter and the Half-Blood Prince (animator: Cinesite)

2008 Inkheart (visual development: Cinesite - uncredited)

2008 Beverly Hills Chihuahua (animation supervisor: Cinesite)

2007 Underdog (animation supervisor: Cinesite)

2006 Monster House (character animator)

2005 Deepo's Undersea 3D Wondershow (Short) (animation director)

2005 Racing Stripes (animation supervisor)

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Art department (7 credits)

2014 Paddington (visual development - uncredited)

2011 Harry Potter and the Deathly Hallows: Part 2 (visual development: Cinesite - uncredited)

2010 Harry Potter and the Deathly Hallows: Part 1 (visual development: Cinesite - uncredited)

2009 Vanishing of the Bees (Documentary) (storyboard artist)

2008 Bedtime Stories (Visual Development (Cinesite - uncredited)

2007 Spin (storyboard artist)

2005 Deepo's Undersea 3D Wondershow (Short) (storyboard artist)

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Director (2 credits)

2018 My Haunted House

2014 Charlie & Yip (Short)

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Actor (2 credits)

2013 What Is Wrong With the Global Development Organisation? (Short)
Narrator (voice)

1971 A Christmas Carol (TV Short)
Tiny Tim (voice, uncredited)

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Writer (2 credits)

2014 Charlie & Yip (Short) (writer)

2013 What Is Wrong With the Global Development Organisation? (Short) (writer)

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Producer (1 credit)

2013 What Is Wrong With the Global Development Organisation? (Short) (producer)

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Thanks (1 credit)

2000 Joseph: King of Dreams (Video) (special thanks)

Personal Details

Other Works:

Alexander Williams also does the "Queen's Counsel" cartoon strip - a satire on law and lawyers - which has been published in the law pages of The (London) Times since 1993. Four book collections have been published, two by Robson Books and two Harper Collins.

Publicity Listings:

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Official Sites:

Official Site

Alternate Names:

Alex Williams

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Did You Know?

Personal Quote:

Animated films can go on for ever and the studios never want to let you take any time off. But the main thing is to read the contract - and don't ever sign a contract with an "option" for the studio to "pick up your contract" for another year - or two years, or whatever. It's ridiculous - why would anyone sign such a thing? I tend ask for a fixed term contract or a run-of-picture deal. Anything ... See more »