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Albert Valentin (1902–1968)

Today ,Albert Valentin (1908-1968) is remembered as a screenwriter.And however, three of his movies are on a par with the best of the French cinema of the era."L'Entraineuse" (1938) compared favorably with "Waterloo bridge" as a model of melodrama.During the occupation days,he outdid himself and his two towering achievements should be considered ... See full bio »

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Known For



Hide Hide Show Show Writer (35 credits)
 1968 24 Hours in the Life of a Woman (adaptation)
 1967 Le canard en fer blanc (adaptation)
 1964 Messalina vs. the Son of Hercules (screenplay) / (story)
 1964 Maciste, gladiatore di Sparta (screenplay)
 1963 Good King Dagobert (adaptation)
 1963 Goliath and the Rebel Slave (writer)
 1963 Destination Rome (writer)
 1962 Why Paris?
 1962 The Changing of the Guard (screenplay)
 1962 The Vendetta
 1962 Emile's Boat (story)
 1960 Meurtre en 45 tours (adaptation)
 1959 Too Late to Love (writer)
 1959 Archimède, le clochard (adaptation) / (scenario)
 1959 The Female (screenplay)
 1958 Maxime (writer)
 1957 Escapade (adaptation)
 1955 The Case of Poisons (story)
 1955 Nana (screenplay)
 1954 Madame du Barry (adaptation)
 1954 The Sheep Has Five Legs (story)
 1951 The Affairs of Messalina (screenplay)
 1951 Mammy (adaptation and dialogue)
 1951 The Strange Madame X (adaptation)
 1949 L'échafaud peut attendre (screenplay)
 1944 La vie de plaisir (screenplay)
 1944 Le ciel est à vous (screenplay)
 1941 Sins of Youth (screenplay)
 1938 L'étrange Monsieur Victor (writer)
 1936 The Great Temptation (uncredited)
 1934 Toi que j'adore (dialogue)
 1932 Boudu Saved from Drowning (screenplay - uncredited)
Show Show Director (13 credits)
Show Show Second Unit Director or Assistant Director (5 credits)

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