The original Planet of The Apes movies occupied a curious netherworld of critical opinion. With each film, the budget was sawn in half, leading to a successive pattern of diminishing returns that led to a cheapening of its esteem. The spin-off TV show was quickly cancelled, further dulling the lustre and few people even remember the animated series that finally put the Apes to bed until a rude awakening in 2001.
However, for all their child-pleasing capers (the family-friendly G rating was a mandatory stipulation from the studios), the Apes movies deftly juggled important themes and arguments about slavery, free-will, nuclear war, vivisection, racism and oppression, and man’s innate capacity for cruelty. In pure storytelling terms, the circuitous plot links the first five movies (and the new post-Rise cycle) into a pleasing, if relentlessly pessimistic, self-perpetuating full-circle.
Enormous box office successes in their early stages, they spawned