- (1997) He and Andre Pluess composed original incidental music for Euripedes' play, "Orestes," at Roadworks Productions in Chicago, Illinois.
- (1998) He and Ben Sussman were sound designers for Naomi Wallace's play, "In the Heart of America," at the About Face Theatre in Chicago, Illinois with Nathan Rankin in the cast.
- (1999) He and Andrew Pluess composed original incidental music for William Shakespeare's play, "Hamlet," at the Street Signs Theatre in Chicago, Illinois.
- (1999) He and Andre Pluess were sound designers for Jim Grimsley's play, "Dream Boy," at the About Face Theatre in Chicago, Illinois. The crew included Eric Rosen (director) and Joel Moritz (lighting designer).
- (1999) Andre Pluess, Willy Schwarz, and he composed original incidental music for Mary Zimmerman's adaptation of "Metamorphoses," at the Lookingglass Theatre Company in Chicago, Illinois. The crew included Mary Zimmerman (director), Dan Ostling (scenic designer), and T.J. Gerckens (lighting designer).
- (2000) He and Andre Pluess composed original incidental music for Peter Oswald's play, "Fair Ladies at a Game of Poem Cards," at the Court Theatre in Chicago, Illinois. John Culbert was lighting designer.
- (2004) Andre Pluess and he were sound designers for Jim Lasko and Charles Newell's adaptation of Rostrand's play, "Cyrano," at the Court Theatre in Chicago, Illinois with Scott Pondrom.
- (2004) He and Andre Pluess were sound designers and composed original incidental music for the play, "The Secret in the Wings," at the Lookingglass Theatre Company in Chicago, Illinois. T.J. Gerckens was lighting designer.
- (2004) Andre Pluess, Eric Rosen, and he adapted Sherwood Anderson's novel, "Winesburg, Ohio," to a musical at the About Face Theatre in Chicago, Illinois with Jeff Dumas in the cast. Jessica Thebus was director.
- (2005) Andre Pluess and Ben Sussman were both sound designers and composed original incidental music for Michael Hollinger's play, "Red Herring," t the Northlight Theatre in Chicago, Illinois.
- (2005) He and Andre Pluess composed original incidental music for the play, "Silk," at the Goodman Theatre in Chicago, Illinois with Mara Blumenfeld (costume designer), Scott Bradley (scenic designer), and T.J. Gerckens (lighting designer) in the crew.
- (2006) Andre Pluess and composed original incidental music for Frank Galati's new adaptation of the work, "after the quake," at the Steppenwolf Theatre Company in Chicago, Illinois.
- (2006) He and Andre Pluess composed original incidental music for Sarah Ruhl's play, "The Clean House," at the Goodman Theatre in Chicago, Illinois. Todd Rosenthal was scenic designer.
- (2006) He and Andre Pluess were Sound Designers for William Shakespeare's play, "Pericles," at the Goodman Theatre in Chicago, Illinois. The crew included Mara Blumenfeld (costume designer) and T.J. Gerckens (lighting designer).
- (2007) Andre Pluess, Michael Griggs, and he were the sound designers for Mary Zimmerman's adaptation of "Argonautika: The Voyage of Jason and the Argonauts," at the Lookingglass Theatre Company in Chicago, Illinois with Daniel Ostling (scenic designer) and John Culbert (lighting designer) in the crew.
- (2011-2012 Season) Andrew White, Andre Pluess, and his musical, "Eastland: A New Musical," was performed at the Lookingglass Theatre Company in Chicago, Illinois. Amanda Dehnert was director. Dan Ostling was scenic designer.
- (March 31 to May 21, 2000) He and Andre Pluess were sound designers for Ovid's play, "Metamorphoses," at the Mark Taper Forum Theatre in Los Angeles, California. Daniel Ostling was scenic designer. T.J. Gerckens was lighting designer. Gordon Davidson was artistic director. Mary Zimmerman was writer and director.
- (February 24 to March 19, 2006) He and Andrew Pluess were composers and sound designers for Haruki Murakami's play, "After the Quake," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Frank Galati was director and adapter. James Schuette was scenic designer. Mara Blumenfeld was costume designer. James F. Ingalls was lighting designer.
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