The New Centurions

Joseph Wambaugh’s breakthrough novel went through a blender to fit George C. Scott into the narrative, but it’s still a great cop show with terrific work from Stacy Keach and Scott Wilson, not to mention Jane Alexander and Rosalind Cash. The pro-cop agenda has a definite tone of personal experience, and the grim finish is anything but feel-good puffery.

The New Centurions


Twilight Time

1972 / Color / 2:35 widescreen / 103 min. / Street Date March 20, 2018 / Available from the Twilight Time Movies Store / 29.95

Starring: George C. Scott, Stacy Keach, Jane Alexander, Scott Wilson, Rosalind Cash, Erik Estrada, Clifton James, James Sikking, Isabel Sanford, Carol Speed, William Atherton, Ed Lauter, Dolph Sweet, Stefan Gierasch, Roger E. Mosley, Pepe Serna, Kitten Natividad.

Cinematography: Ralph Woolsey

Film Editor: Robert C. Jones

Production Design: Boris Leven

Original Music: Quincy Jones

Written by Stirling Silliphant, Robert Towne (uncredited) from the book by Joseph Wambaugh

Produced by Robert Chartoff,
See full article at Trailers from Hell »

A look at the game-changing Oscar ceremony 50 years ago

A look at the game-changing Oscar ceremony 50 years ago
Fifty years ago, the 40th Academy Awards proved to be a watershed moment. The five Best Picture nominees — and eventual winner — all echoed the changing, turbulent times, not just in cinema but society, underscored by a tragedy that occurred the week before: Martin Luther King Jr.’s assassination.

King’s April 4, 1968, assassination delayed the Oscars by two days, to April 10, and Gregory Peck, then-academy president, opened the show with remarks about the late civil rights activist and his impact.

“Society has always been reflected in its art and one measure of Dr. King’s influence on the society we live in is that of the five films nominated for Best Picture of the year, two dealt with subject of understanding between the races,” Peck said.

Those two films also both starred the No. 1 box office champ of the year, the first black Best Actor Oscar winner, Sidney Poitier (1963’s “Lilies of the Field
See full article at Gold Derby »

Oscars flashback: ‘In the Heat of the Night’ wins Best Picture 50 years ago taking on racism in the south [Watch]

Oscars flashback: ‘In the Heat of the Night’ wins Best Picture 50 years ago taking on racism in the south [Watch]
Racial issues in the south. Small town police department. Best Picture nominee at the Oscars. Lead performance frontrunner to win. These are certainly descriptions of 2018 Oscar contender “Three Billboards Outside Ebbing Missouri” starring Frances McDormand but they also describe the film that won the Academy Award for Best Picture 50 years ago: “In the Heat of the Night” (watch the video above).

With “Get Out” and “Three Billboards” as big awards hits for 2017 and “Moonlight” as Best Picture the previous year, it looks as though films dealing with racism and civil rights have risen to a new level of recognition from the Academy. One of the first to be embraced by Oscar voters was the 1967 film “In the Heat of the Night,” a crime drama about an African-American detective (Sidney Poitier) and bigoted police chief (Rod Steiger) in rural Mississippi.

SEEOscar Best Picture Gallery: History of Every Academy Award-Winning Movie

See full article at Gold Derby »

Review: “The Man Who Died Twice" (1950) Starring Rod Cameron And Vera Ralston.; Kino Lorber Blu-ray Release

  • CinemaRetro
By John M. Whalen

In the opening scene of Republic Pictures “The Man Who Died Twice,” (1950) a car drives along a mountain road and two cops in a patrol car remark that it’s nightclub owner T. J. Brennon (Don Megowan) passing by. Next thing you know the car goes off a cliff and explodes in flames. Then a woman (Vera Ralston) gets out of a cab in front of her apartment building and looks up at the balcony where two men are fighting. She shrieks in horror as one of the men comes plummeting down and lands on the sidewalk at her feet. Splat! She watches as the other man climbs up a fire escape ladder to the roof. But not before a third man appears on the balcony and the guy on the fire escape shoots him. Vera Ralston faints from all the excitement and falls on the
See full article at CinemaRetro »

Review: "The Big Knife" (1955) Starring Jack Palance And Ida Lupino; Blu-ray Special Edition From Arrow

  • CinemaRetro
By John M. Whalen

In 1988 Oscar-winning screenwriter Stirling Silliphant (“In the Heat of the Night”, “The Poseidon Adventure”) got fed up with what he called “the eel pit of Hollywood,” and moved to Thailand to start a new life. According to the La Times, he’d grown tired of the power plays, the egos, the hypocrisy and the dictum that homage must be paid to the box office. He left and never came back.

Hollywood has always had its dark side-- just read “Hollywood Babylon.” Silliphant’s “eel pit” was never a more apt description than when, a few years later in 2015, the film industry was rocked by WikiLeaks release of some really nasty Sony emails that gave a glimpse into what powerful producers and studio execs really thought of some of their stars. Scott Rudin called Angelina Jolie a “minimally talented spoiled brat.” Clint Culpepper called Kevin Hart “a whore,
See full article at CinemaRetro »

'In the Heat of the Night' at 50: Why Sidney Poitier Wouldn't Go South of the Mason-Dixon Line (Guest Column)

'In the Heat of the Night' at 50: Why Sidney Poitier Wouldn't Go South of the Mason-Dixon Line (Guest Column)
was a young Canadian filmmaker who had made the transition from TV when producer Walter Mirisch sent him a script. Written by Stirling Silliphant, it was a low-budget drama set in the South — an adaptation of a 1965 novel by John Ball ­— about a black police detective who gets caught up in a murder investigation. Jewison liked it immediately, but he put Silliphant through six months of rewrites to create what would became 1967's In the Heat of the Night. The film won five Oscars, including best picture, adapted screenplay and lead actor for Rod...
See full article at The Hollywood Reporter - Movie News »

Review: Manos: The Hands of Fate, a B-movie for the ages

Manos: The Hands of Fate is a film I’ve been reading about for quite some time. Infamous for its ineptitude, it’s one of those “so bad it’s good” kind of movies that has achieved cult status due to its terrible acting, nonsensical plot, and technical errors. Shot in the 60s, it was written and directed by Harold P. Warren, an insurance salesman who, according to legend, made a bet with visiting location scout Stirling Silliphant that he could film a horror movie with an extremely limited budget. And that he did. What he didn’t do, however, was direct a particularly compelling or even scary motion picture. The stories about Manos are infamous, and could be considered more interesting than the film itself. It...

[Read the whole post on]
See full article at Screen Anarchy »

Newswire: R.I.P Tom Neyman, “The Master” from Manos: The Hands Of Fate

Tom Neyman, best known for his role as The Master in the 1966 cult classic Manos: The Hands Of Fate, died on Saturday. His daughter, Jackey Neyman, who also appeared in the film as young Debbie, shared the news on Facebook, stating that Neyman “has now transcended to become Manos. #HeIsAlwaysWithUs.” He was 80.

Born in 1935, Neyman—a professional artist—was active in community theater throughout the ‘60s. His only film credit is Harold P. Warren’s Manos: The Hands Of Fate, made famous by Mystery Science Theater 3000 and deemed “The Worst Movie Ever Made” by Entertainment Weekly. Made as a result of a bet with In The Heat Of The Night screenwriter Stirling Silliphant for a budget of $19,000, Manos featured local theater actors and models and was shot on 16mm, with all dialogue and sound effects dubbed in during post-production. Manos premiered on November 15 ...
See full article at The AV Club »

Five Days One Summer

The great Fred Zinnemann's last feature is a very personal story, a fairly uncomplicated drama with a mountain climbing backdrop. Sean Connery plays older than his age as a Scotsman on an Alpine vacation, toying with social disaster. With excellent, non- grandstanding performances from Betsy Brantley and Lambert Wilson. Five Days One Summer DVD-r The Warner Archive Collection 1982 / Color / 1:85 enhanced widescreen / 108 96 min. / Street Date July 12, 2016 / available through the WBshop / 21.99 Starring Sean Connery, Betsy Brantley, Lambert Wilson, Jennifer Hilary, Isabel Dean, Gérard Buhr, Anna Massey, Sheila Reid, Emilie Lihou. Cinematography Giuseppe Rotunno Film Editor Stuart Baird Original Music Elmer Bernstein Written by Michael Austin from the story 'Maiden Maiden' by Kay Boyle Produced and Directed by Fred Zinnemann

Reviewed by Glenn Erickson

Fred Zinnemann is a filmmaker that I've come to admire, as much for his personal integrity as for the movies he made. He could be inconsistent and
See full article at Trailers from Hell »

Drive-In Dust Offs: Village Of The Damned (1960)

Presenting murderous moppets on screen is always a dicey proposition. For every The Bad Seed or The Omen, there is always The Good Son or Mikey skulking about. It’s all about the fear – making a five or ten year old believably frightening is hard to do. As audience members, we put our faith in filmmakers to produce tension, conflict, and danger in a palpable (but not necessarily plausible) way, and when it’s tested we end up wading through Children of the Corn. But when our faith is rewarded, we find ourselves in the Village of the Damned (1960), a seminal killer kid chiller.

Based on the novel The Midwich Cuckoos by John Wyndham, Village was produced by MGM’s British division and distributed there in July, with a December rollout in the States. The film was a great success, both with critics and audiences alike, luring them in with
See full article at DailyDead »

200 Greatest Horror Films (140-131)

Special Mention: The Bird with the Crystal Plumage

Directed by Dario Argento

Screenplay by Dario Argento

1970, Italy

Genre: Giallo

One of the most self-assured directorial debuts of the 70’s was Dario Argento’s The Bird with the Crystal Plumage. Not only was it a breakthrough film for the master of Giallo, but it was also a box office hit and had critics buzzing, regardless if they liked it or not. Although Argento would go on to perfect his craft in later films, The Bird With The Crystal Plumage went a long way in popularizing the Giallo genre and laid the groundwork for later classics like Deep Red. A difficult film to discuss without spoiling many of its most impressive and famous scenes, The Bird with the Crystal Plumage is a fairly straightforward murder mystery, albeit with many twists, turns and one of the best surprise endings of all time. But
See full article at SoundOnSight »

Steven Spielberg and Tom Hanks on the Relevance of ‘Bridge of Spies’ and Coens’ Contributions

Reteaming for the first time in over a decade, Steven Spielberg‘s Bridge of Spies follows Tom Hanks the true story of James B. Donovan as an unblemished Brooklyn lawyer who becomes involved in defending a suspected Kgb agent (Mark Rylance). The snappy, propulsive part-courtroom drama, part-international thriller held its world premiere at the New York Film Festival, but shortly before the director and his cast gathered to discuss the making of the project.

We’ve highlighted the most worthwhile discussion points, including an original iteration half-a-century ago that never went into production, the relevance of the film today, collaborating with Joel and Ethan Coen, who co-wrote the script, Spielberg’s updated thoughts on the state of Hollywood, and much more. Check it out below.

Steven Spielberg on Finding the Story and Gregory Peck’s Original Iteration

Upon coming to the material, Spielberg said, “I knew nothing about this story two years ago.
See full article at The Film Stage »

Dirty Harry’s Dregs, or a Franchise Learns Its Limitations

Clint Eastwood revisited Harry Callahan three more times, usually whenever his career was in the dumps. If Dirty Harry was a cultural phenomenon and Magnum Force a respectable follow-up, the rest are uninspired cash-ins. The main law Harry enforces in these sequels is the Law of Diminishing Returns.

Given Dirty Harry‘s San Francisco setting, something like The Enforcer (1976) was inevitable. After all, San Fran hosted Haight-Ashbury, hippie capital of the world; was a favored site for Black Panther and Sds protests; headquarters of the nascent gay rights movement; victim of Weathermen bombings and the racially-charged Zebra murders. Writers Gail Morgan Hickman and S.W. Schurr based their script, originally titled “Moving Target,” on the Symbionese Liberation Army which kidnapped Patty Hearst. Dean Riesner (who cowrote the original Harry) and Stirling Silliphant (In the Heat of the Night) polished the film.

Harry battles the People’s Revolutionary Strike Froce, led by
See full article at SoundOnSight »

Trailers from Hell Inspects 'The Lineup'

Trailers from Hell Inspects 'The Lineup'
Today on Trailers from Hell, Josh Olson takes a look at Don Siegel's savage 1958 thriller "The Lineup," the big screen adaptation of the 1950s TV series starring Warner Anderson. Warner Anderson, star of the long-running early fifties TV show "The Lineup," repeated his role in 1958's big screen version but the real stars of director Don Siegel's brutal thriller were Eli Wallach and Robert Keith as a pair of sociopathic crooks and, of course, Siegel himself who masterminded several lethal set pieces including the hair-raising climax (involving a chase on an unfinished freeway). Seasoned TV writer Stirling Silliphant ("Route 66," "Naked City") was responsible for the screenplay and cinematographer Hal Mohr ("The Wild One," "Destry Rides Again") lensed the appropriately gritty black and white San Francisco landscapes.
See full article at Thompson on Hollywood »

The Lineup

Warner Anderson, star of the long-running early fifties TV show The Lineup, repeated his role in 1958's big screen version but the real stars of director Don Siegel's brutal thriller were Eli Wallach and Robert Keith as a pair of sociopathic crooks and, of course, Siegel himself who masterminded several lethal set pieces including the hair-raising climax (involving a chase on an unfinished freeway). Seasoned TV writer Stirling Silliphant (Route 66, Naked City) was responsible for the screenplay and cinematographer Hal Mohr (The Wild One, Destry Rides Again) lensed the appropriately gritty black and white San Francisco landscapes.

The post The Lineup appeared first on Trailers From Hell.
See full article at Trailers from Hell »

‘The Sopranos’ Leads WGA List of Top TV Series

The Writers Guild of America on Sunday unveiled its list of the “101 Best Written TV Series of All Time,” topped by HBO’s “The Sopranos.”

The mob drama created by David Chase (pictured above right with “Sopranos” star James Gandolfini) led the list over such perennial faves as “Seinfeld” (which ranked No. 2), “All in the Family” (No. 4), “Mash” (No. 5) and “The Wire” (No. 9).

On the other end of the list was a three-way tie between the original NBC “Late Night with David Letterman,” FX’s “Louie” and HBO’s intense prison drama “Oz.”

The list, the results of online voting by members of the WGA West and WGA East, immediately spurred debates over the rankings and omissions. The TV tally was a follow-up to the WGA’s “101 Greatest Screenplays” member survey conducted in 2006.

The WGA’s complete list of TV series follows:


The Sopranos


Created by David Chase


See full article at Variety - TV News »

100 + Greatest Horror Movies (Pt.1)

Throughout the month of October, Editor-in-Chief and resident Horror expert Ricky D, will be posting a list of his favorite Horror films of all time. The list will be posted in six parts. Click here to see every entry.



150: Session 9

Directed by Brad Anderson

Written by Stephen Gevedon and Brad Anderson

2001, USA

If there was ever a perfect setting for a horror movie, it would be the abandoned Danvers State Mental Hospital. Built in 1878 on an isolated site in rural Massachusetts, it was a multi-acre, self-contained psychiatric hospital rumoured to have been the birthplace of the pre-frontal lobotomy. The hospital was the setting for the 2001 horror film Session 9, where an asbestos clean-up crew discover a series of nine tapes, which have recorded a patient with multiple personalities, all of which are innocent, except for number nine. With a shoestring budget and no real special effects, Session 9
See full article at SoundOnSight »

'In the Heat of the Night': 25 Things You Didn't Know About the Sidney Poitier Classic

They called it the "Slap Heard 'Round the World." It happened partway through "In the Heat of the Night" -- a movie released at the height of racial tensions during the Civil Rights Era exactly 45 years ago (on August 2, 1967) -- in a scene where a bigoted Southern cotton plantation owner slaps Sidney Poitier (and Poitier slaps back just as hard). Years of deferential behavior, both from Poitier in saintly role-model performances, and from every black actor ever to perform in a Hollywood movie, halted with a mighty thwack. It's one of the most memorable moments in film history and helped earn "In the Heat of the Night" the Best Picture Oscar that year. Even today, the scene remains brutally effective, a reminder of how much has changed in 45 years, and how much has not. The film -- in which a racist Southern sheriff (Rod Steiger) and a haughty black police
See full article at Moviefone »

Blu-ray, DVD Release: The Slender Thread

Blu-ray & DVD Release Date: Oct. 16, 2012

Price: DVD $24.95, Blu-ray $29.95

Studio: Olive Films

Anne Bancroft and Steven Hill star in The Slender Thread.

The 1965 film drama The Slender Thread marks the filmmaking debut of director Sydney Pollack (The Firm).

The movie deals with a young woman named Inga Dyson (Anne Bancroft, The Graduate), who takes an overdose of prescription pills and calls a crisis clinic for help. College volunteer Alan Newell (Sidney Poitier, Guess Who’s Coming to Dinner?) fields the call and tries to keep the suicidal woman on the line while asking the police to trace down the caller.

Boasting a supporting cast that includes Telly Savalas (TV’s Kojak), Ed Asner (JFK) and Dabney Coleman (TV’s Boardwealk Empire), The Slender Thread was written by Stirling Silliphant (The Towering Inferno) and based upon an actual incident reported in Time Magazine. Additionally, the film features a rousing score by Quincy Jones
See full article at Disc Dish »

China is Making a Post-Apocalyptic Movie Based on an Unfinished Bruce Lee Script

Apparently sometime between his untimely death in 1973 and becoming the biggest Asian movie star in the world, martial arts legend Bruce Lee was working on a script called “The Silent Flute” with actor James Coburn and Hollywood screenwriter Stirling Silliphant. The film is supposedly set 800 years in the future, in a post-apocalyptic dystopian society. Although it’s apparently sci-fi-ish, given that Lee came up with the idea and was writing it, I’m guessing it’s also heavy on the martial arts. Originally titled “The Silent Flute”, the film is now on the slate of China’s National Film Capital, the country’s State-run/State-financed/State-controlled investment into films that will incorporate Chinese actors/storylines with Hollywood moviemaking know-how. “The Silent Flute” will feature two male leads, one from China and one from Hollywood (re: an Asian and a Caucasian actor), with an eye towards International markets. (Update: I’ve
See full article at Beyond Hollywood »
An error has occured. Please try again.

See also

Credited With | External Sites