Mark Siegel(I)
- Visual Effects
- Additional Crew
- Art Department
Mark began acting in high school and got his first professional acting
job just after graduating, with a summer melodrama theatre in the
Minneapolis area. This was followed by four years at the University of
Minnesota, getting his degree as a theatre major.
After teaching junior high school for a year, and another year of travel in Europe, he was accepted to the Ringling Bros. and Barnum & Bailey Clown College, and performed as a clown in their 1972 season. Following this, Mark moved to New York to pursue an acting career, and performed in a couple of unsuccessful Off-Broadway shows and a Broadway-bound musical, which closed to bad reviews in previews. He moved to Los Angeles in 1974, where his general theatre background and circus connections helped get him interesting odd jobs while pursuing work as an actor. He was hired as a sculptor for a new monster make-up show, "The Land of A Thousand Faces", at Universal Studios Tour. He got to know the special make-up effects community, which led directly to his role in "The Crater Lake Monster", for which one of his friends was building the monster. Although he was cast in a few small roles in TV, industrial films, and commercials, his acting career never took off. But his work as a sculptor did, and after three years at Universal, he began freelancing as a creature-maker, eventually working on major films.
In 1988, he moved to the San Francisco Bay area, where he was hired at Lucasfilm's Industrial Light and Magic. He worked as a sculptor/creature-maker/puppeteer in the ILM Model Shop for 14 years before transitioning to Computer Graphics, where he continued as a character/creature modeler for another dozen years.
Mark retired from visual effects work in 2016, and gets great satisfaction in sharing his knowledge of special and visual effects, doing interviews online and for podcasts, talks in schools, and volunteer work for the Walt Disney Family Museum. He also gets great enjoyment playing ukulele with groups around the Bay Area.
After teaching junior high school for a year, and another year of travel in Europe, he was accepted to the Ringling Bros. and Barnum & Bailey Clown College, and performed as a clown in their 1972 season. Following this, Mark moved to New York to pursue an acting career, and performed in a couple of unsuccessful Off-Broadway shows and a Broadway-bound musical, which closed to bad reviews in previews. He moved to Los Angeles in 1974, where his general theatre background and circus connections helped get him interesting odd jobs while pursuing work as an actor. He was hired as a sculptor for a new monster make-up show, "The Land of A Thousand Faces", at Universal Studios Tour. He got to know the special make-up effects community, which led directly to his role in "The Crater Lake Monster", for which one of his friends was building the monster. Although he was cast in a few small roles in TV, industrial films, and commercials, his acting career never took off. But his work as a sculptor did, and after three years at Universal, he began freelancing as a creature-maker, eventually working on major films.
In 1988, he moved to the San Francisco Bay area, where he was hired at Lucasfilm's Industrial Light and Magic. He worked as a sculptor/creature-maker/puppeteer in the ILM Model Shop for 14 years before transitioning to Computer Graphics, where he continued as a character/creature modeler for another dozen years.
Mark retired from visual effects work in 2016, and gets great satisfaction in sharing his knowledge of special and visual effects, doing interviews online and for podcasts, talks in schools, and volunteer work for the Walt Disney Family Museum. He also gets great enjoyment playing ukulele with groups around the Bay Area.
