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[on writing 'House.M.D.'] The challenge was always, either the patient gets better or the patient dies. We did try to break up the formula now and then, but fundamentally I was comfortable with it. We departed from it on occasion, and those departures worked. The real challenge though was that I didn't want people going, 'I wonder if he will get better'. Rather, I wanted them to think, 'What's ...
Broke into show business by writing a spec script for Seinfeld
(1989). He got an agent of the strength of that script.