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Wieland Schulz-Keil

Wieland Schulz-Keil studied literature and philosophy at the universities of Frankfurt, Heidelberg, and Berlin. During these years, he began directing plays at various theaters in Europe. In 1967 he became a contributing editor to Theater Heute, Germany's leading theater magazine. Invited by the Chelsea Theater Center in New York to direct plays ... See full bio »

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2 nominations. See more awards »


Known For

The Dead Producer
Mesmer Producer


Hide Hide Show Show Producer (24 credits)
 2011 Ghosts-Schumann's Visit (TV Movie) (producer)
 2009 Feathered Fan and Silken Ribbon (Documentary) (producer)
 2008 The Children of Huang Shi (producer)
 2001 Sister Smile (executive producer)
 2001 The Cat's Meow (executive producer)
 1998 Passage to Paradise (producer)
 1996 Tykho Moon (associate producer) / (producer)
 1996 Poussières d'amour - Abfallprodukte der Liebe (Documentary) (producer)
 1994 Magic Hunter (producer)
 1994 Mesmer (producer)
 1994 Decadence (co-producer)
 1993 The Innocent (producer)
 1990 The King's Whore (producer)
 1989 Twister (producer)
 1987 John Huston and the Dubliners (Documentary) (executive producer)
 1987 The Dead (producer)
 1984 Notre nazi (Documentary) (co-producer)
 1984 Wundkanal (producer)
 1984 Under the Volcano (producer)
 1981 Shamans of the Blind Country (Documentary) (producer)
 1981 Jet Lag (producer)
 1980 Jackpot (producer)
 1976 The New Deal for Artists (TV Movie documentary) (producer)
 1975 Filmemigration aus Nazideutschland (TV Series documentary) (co-producer - 1975)
Show Show Director (4 credits)
Show Show Writer (3 credits)
Show Show Soundtrack (1 credit)
Show Show Additional Crew (1 credit)
Show Show Thanks (2 credits)
Show Show Self (2 credits)

Personal Details

Publicity Listings:

2 Biographical Movies | See more »


6' 2" (1.88 m)


Helena Muller

Did You Know?

Personal Quote:

It's a director's job to make great pictures. A producer's job is to prevent lousy pictures from being made. Audiences ought to be greatful to both of them.


Wieland Schulz-Keil appeared as a bomb-throwing anarchist in John Huston's ANNIE. Annie's dog catches him and prevents him from blowing Albert Finney's Daddy Warbucks into smithereens

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